A Critical History of New Music in China - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook A Critical History of New Music in China write by Jingzhi Liu. This book was released on 2010. A Critical History of New Music in China available in PDF, EPUB and Kindle. By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
A Critical History of New Music in China
A Critical History of New Music in China - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook A Critical History of New Music in China write by Liu Chingchih. This book was released on 2010-07-20. A Critical History of New Music in China available in PDF, EPUB and Kindle. By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Chingchih terms "New Music." With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth, nineteenth and early twentieth–century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government.
History of new music in China
History of new music in China - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook History of new music in China write by Wu Ganbo. This book was released on 1994. History of new music in China available in PDF, EPUB and Kindle.
School Music Education and Social Change in Mainland China, Hong Kong and Taiwan
School Music Education and Social Change in Mainland China, Hong Kong and Taiwan - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook School Music Education and Social Change in Mainland China, Hong Kong and Taiwan write by Wai-chung Ho. This book was released on 2010-11-19. School Music Education and Social Change in Mainland China, Hong Kong and Taiwan available in PDF, EPUB and Kindle. This book examines recent reforms and innovations in school music education within the changing societies of mainland China, Hong Kong and Taiwan. These three regions share a common historical culture but have had diverse socio-political experiences. Whilst some musical knowledge is common to all three, some is particular to one or two and depends on their responses to globalization, localization and national identity. This book aims to compare how music education in Shanghai, Hong Kong and Taipei has adjusted to the forces of globalization, localization and Sinofication. It contributes significantly to thinking about education reforms in response to this tripartite paradigm with respect to not only Chinese communities but also to the Asia-Pacific Region as a whole.
Composing for the Revolution
Composing for the Revolution - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Composing for the Revolution write by Joshua H. Howard. This book was released on 2020-10-31. Composing for the Revolution available in PDF, EPUB and Kindle. In Composing for the Revolution: Nie Er and China’s Sonic Nationalism, Joshua Howard explores the role the songwriter Nie Er played in the 1930s proletarian arts movement and the process by which he became a nationalist icon. Composed only months before his untimely death in 1935, Nie Er’s last song, the “March of the Volunteers,” captured the rising anti-Japanese sentiment and was selected as China’s national anthem with the establishment of the People’s Republic. Nie was quickly canonized after his death and later recast into the “People’s Musician” during the 1950s, effectively becoming a national monument. Howard engages two historical paradigms that have dominated the study of twentiethcentury China—revolution and modernity. He argues that active in the leftist artistic community and critical of capitalism, Nie Er availed himself of media technology, especially the emerging sound cinema, to create a modern, revolutionary, and nationalist music. This thesis stands as a powerful corrective to a growing literature on the construction of a Chinese modernity, which has privileged the mass consumer culture of Shanghai and consciously sought to displace the focus on China’s revolutionary experience. Composing for the Revolution also provides insight into understudied aspects of China’s nationalism—its sonic and musical dimensions. Howard’s analyses highlights Nie’s extensive writings on the political function of music, examination of the musical techniques and lyrics of compositions within the context of left-wing cinema, and also the transmission of his songs through film, social movements, and commemoration. Nie Er shared multiple and overlapping identities based on regionalism, nationalism, and left-wing internationalism. His march songs, inspired by Soviet “mass songs,” combined Western musical structure and aesthetic with elements of Chinese folk music. The songs’ ideological message promoted class nationalism, but his “March of the Volunteers” elevated his music to a universal status thereby transcending the nation. Traversing the life and legacy of Nie Er, Howard offers readers a profound insight into the meanings of nationalism and memory in contemporary China. Composing for the Revolution underscores the value of careful reading of sources and the author’s willingness to approach a subject from multiple perspectives.
