African American Voices - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook African American Voices write by Leslie Brown. This book was released on 2014-02-03. African American Voices available in PDF, EPUB and Kindle. Compelling and enlightening, this collection of primary source documents allows twenty-first century students to 'direct dial' key figures in African-American history. It includes concise and perceptive commentary along with engaging suggestions for discussion and project work. Examines key themes from multiple perspectives Features a diverse range of voices that cut across class and political affiliations as well as across regions and generations Chronological and thematic coverage from emancipation to the current day Primary source documents include everything from letters and speeches to photographs, rap lyrics and newspaper reports Incorporates recent as well as traditional historical interpretations Classroom-ready text which includes keynotes on documents, differentiated material and engaging discussion questions
Black Voices
Black Voices - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Black Voices write by Various. This book was released on 2001-04-01. Black Voices available in PDF, EPUB and Kindle. “If you don’t know my name, you don’t know your own.”—James Baldwin An anthology of African-American literature featuring contributions from some of the most prominent Black and African-American authors of our time, including James Baldwin, Arna Bontemps, Gwendolyn Brooks, W. E. B. Du Bois, Ralph Ellison, Langston Hughes, Leroi Jones, Margaret Walker, Richard Wright, Malcom X, and many more. Featuring fiction, poetry, autobiography, and literary criticism, Black Voices captures the diverse and powerful words of a literary explosion, the ramifications of which can be seen and heard in the works of today’s African-American artists. A comprehensive and impressive primer, this anthology presents some of the greatest and most enduring work born out of the African-American experience in the United States. Contributors Also Include: Sterling A. Brown Charles W. Chesnutt John Henrik Clarke Countee Cullen Frederick Douglass Paul Laurence Dunbar James Weldon Johnson Naomi Long Madgett Paule Marshall Clarence Major Claude McKay Ann Petry Dudley Randall J. Saunders Redding Jean Toomer Darwin T. Turner Lerone Bennett, Jr. Frank London Brown Arthur P. Davis Frank Marshall Davis Owen Dodson Mari Evans Rudolph Fisher Dan Georgakas Robert Hayden Frank Horne Blyden Jackson Lance Jeffers Fenton Johnson George E. Kent Alain Locke Diane Oliver Stanley Sanders Richard G. Stern Sterling Stuckey Melvin B. Tolson
Was Huck Black?
Was Huck Black? - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Was Huck Black? write by Shelley Fisher Fishkin. This book was released on 1994-05-05. Was Huck Black? available in PDF, EPUB and Kindle. Published in 1884, Huck Finn has become one of the most widely taught novels in American curricula. But where did Huckleberry Finn come from, and what made it so distinctive? Shelley Fisher Fishkin suggests that in Huckleberry Finn, more than in any other work, Mark Twain let African-American voices, language, and rhetorical traditions play a major role in the creation of his art. In Was Huck Black?, Fishkin combines close readings of published and unpublished writing by Twain with intensive biographical and historical research and insights gleaned from linguistics, literary theory, and folklore to shed new light on the role African-American speech played in the genesis of Huckleberry Finn. Given that book's importance in American culture, her analysis illuminates, as well, how the voices of African-Americans have shaped our sense of what is distinctively "American" about American literature. Fishkin shows that Mark Twain was surrounded, throughout his life, by richly talented African-American speakers whose rhetorical gifts Twain admired candidly and profusely. A black child named Jimmy whom Twain called "the most artless, sociable and exhaustless talker I ever came across" helped Twain understand the potential of a vernacular narrator in the years before he began writing Huckleberry Finn, and served as a model for the voice with which Twain would transform American literature. A slave named Jerry whom Twain referred to as an "impudent and satirical and delightful young black man" taught Twain about "signifying"--satire in an African-American vein--when Twain was a teenager (later Twain would recall that he thought him "the greatest man in the United States" at the time). Other African-American voices left their mark on Twain's imagination as well--but their role in the creation of his art has never been recognized. Was Huck Black? adds a new dimension to current debates over multiculturalism and the canon. American literary historians have told a largely segregated story: white writers come from white literary ancestors, black writers from black ones. The truth is more complicated and more interesting. While African-American culture shaped Huckleberry Finn, that novel, in turn, helped shape African-American writing in the twentieth century. As Ralph Ellison commented in an interview with Fishkin, Twain "made it possible for many of us to find our own voices." Was Huck Black? dramatizes the crucial role of black voices in Twain's art, and takes the first steps beyond traditional cultural boundaries to unveil an American literary heritage that is infinitely richer and more complex than we had thought.
Witness for Freedom
Witness for Freedom - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Witness for Freedom write by C. Peter Ripley. This book was released on 1993. Witness for Freedom available in PDF, EPUB and Kindle. This extraordinary record of the African American struggle for freedom and equality collects 89 exceptional documents that represent the best of the recently published five-volume Black Abolitionist Papers. In these compelling texts, African Americans tell their own stories of the struggle to end slavery and claim their rights as American citizens. (Univ. of North Carolina Press)
Voices of Black Folk
Voices of Black Folk - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Voices of Black Folk write by Terri Brinegar. This book was released on 2022-04-19. Voices of Black Folk available in PDF, EPUB and Kindle. In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
