The American Midwest in Film and Literature - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The American Midwest in Film and Literature write by Adam R. Ochonicky. This book was released on 2020-02-04. The American Midwest in Film and Literature available in PDF, EPUB and Kindle. How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.
The History of American Literature on Film
The History of American Literature on Film - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The History of American Literature on Film write by Thomas Leitch. This book was released on 2019-06-13. The History of American Literature on Film available in PDF, EPUB and Kindle. From William Dickson's Rip Van Winkle films (1896) to Baz Luhrmann's big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. Unlike previous studies of American literature and film, which emphasize particular authors like Edith Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick, particular literary periods like the American Renaissance, or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own right-one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience.
The Fiction of America
The Fiction of America - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Fiction of America write by Susanne Hamscha. This book was released on 2013-05. The Fiction of America available in PDF, EPUB and Kindle. The Fiction of America juxtaposes classic literature of the American Renaissance with twentieth-century popular culture--pairing, for instance, Ralph Waldo Emerson with Finding Nemo, Walt Whitman with Spiderman, and Hester Prynne with Madonna--to investigate how the "Americanness" of American culture constitutes itself in the interplay of the cultural imaginary and performance. Conceptualizing "America" as a transhistorical practice, Susanne Hamscha reveals disruptive, spectral moments in the narrative of "America," which confront American culture with its inherent inconsistencies.
Stanley Cavell, Literature, and Film
Stanley Cavell, Literature, and Film - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Stanley Cavell, Literature, and Film write by Andrew Taylor. This book was released on 2013. Stanley Cavell, Literature, and Film available in PDF, EPUB and Kindle. This book offers a thorough examination of the relationship that Stanley Cavell's celebrated philosophical work has to the ways in which the United States has been imagined and articulated in its literature, highlighting how literature and philosophy are conjoined in the ethical and political project of national self-definition.
The American Roadside in Émigré Literature, Film, and Photography
The American Roadside in Émigré Literature, Film, and Photography - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The American Roadside in Émigré Literature, Film, and Photography write by Elsa Court. This book was released on 2020-01-06. The American Roadside in Émigré Literature, Film, and Photography available in PDF, EPUB and Kindle. The American Roadside in Émigré Literature, Film, and Photography: 1955–1985 traces the origin of a postmodern iconography of mobile consumption equating roadside America with an authentic experience of the United States through the postwar road narrative, a narrative which, Elsa Court argues, has been shaped by and through white male émigré narratives of the American road, in both literature and visual culture. While stressing that these narratives are limited in their understanding of the processes of exclusion and unequal flux in experiences of modern automobility, the book works through four case studies in the American works of European-born authors Vladimir Nabokov, Robert Frank, Alfred Hitchcock, and Wim Wenders to unveil an early phenomenology of the postwar American highway, one that anticipates the works of late-twentieth-century spatial theorists Jean Baudrillard, Michel Foucault, and Marc Augé and sketches a postmodern aesthetic of western mobility and consumption that has become synonymous with contemporary America.
