American Cinema and Cultural Diplomacy - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook American Cinema and Cultural Diplomacy write by Thomas J. Cobb. This book was released on 2021-08-09. American Cinema and Cultural Diplomacy available in PDF, EPUB and Kindle. This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.
American Cinema and Cultural Diplomacy
American Cinema and Cultural Diplomacy - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook American Cinema and Cultural Diplomacy write by Thomas J. Cobb. This book was released on 2020-09-15. American Cinema and Cultural Diplomacy available in PDF, EPUB and Kindle. This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.
Cinema and the Cultural Cold War
Cinema and the Cultural Cold War - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Cinema and the Cultural Cold War write by Sangjoon Lee. This book was released on 2020-12-15. Cinema and the Cultural Cold War available in PDF, EPUB and Kindle. Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.
American Cinema as Cultural Diplomacy
American Cinema as Cultural Diplomacy - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook American Cinema as Cultural Diplomacy write by Jessica Julia McGill Peters. This book was released on 2015. American Cinema as Cultural Diplomacy available in PDF, EPUB and Kindle. This dissertation analyzes the complex relationship between U.S. diplomatic efforts overseas and cinematic representations, perceptions, and receptions--as well as the implications of this association for cross-cultural interactions--through the American Film Showcase (AFS), a diplomatic program jointly organized by the University of Southern California and the U.S. Department of State. Specifically, my study examined the showcase's implementation (i.e. the selection/approval and screening of films), the objectives of the AFS' organizers, and how the program was received in Monterrey, Mexico--in other words, how the AFS films and activities were interpreted. Following these implementation and reception analyses, I conducted in-depth ethnographic research focusing on program participants' ongoing responses to the AFS through their subsequent perceptions and work/activities. My results have helped to identify/clarify how perceptions of power, imperialism, and U.S. society shape people's receptivity abroad to ideas about America and diplomatic interactions. They also illustrate ways in which current on-the-ground impressions of the U.S. shift--or why they persist--due to such outreach, and what this means for cultivating international relationships and transforming attitudes towards the U.S. by means of diplomatic efforts. These results thus offer insight into the benefits and drawbacks of cultural diplomacy, and may help to improve future diplomatic endeavors in regions significant to U.S. foreign relations.
American Cinema and Cultural Diplomacy
American Cinema and Cultural Diplomacy - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook American Cinema and Cultural Diplomacy write by Thomas J. Cobb. This book was released on 2020-07-25. American Cinema and Cultural Diplomacy available in PDF, EPUB and Kindle. This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.
