Arab Music: A Survey of Its History and Its Modern Practice - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Arab Music: A Survey of Its History and Its Modern Practice write by Leo Plenckers. This book was released on 2021-12-16. Arab Music: A Survey of Its History and Its Modern Practice available in PDF, EPUB and Kindle. This book offers a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gīl, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music.
Global Popular Music
Global Popular Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Global Popular Music write by Clarence Bernard Henry. This book was released on 2024-11-19. Global Popular Music available in PDF, EPUB and Kindle. Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.
Sound Practices in the Global South
Sound Practices in the Global South - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Sound Practices in the Global South write by Budhaditya Chattopadhyay. This book was released on 2022-08-01. Sound Practices in the Global South available in PDF, EPUB and Kindle. This book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices through consumption and entertainment, they are explored as complex cultural and aesthetic systems, working directly with the practitioners themselves, who largely contribute to the development of the sonic methodologies. Refocusing on the working methods of practitioners, the book reveals a tension between the West’s predominant colonial-consumerist cultures, and the collective desires of practitioners to resist colonial models of listening by expressing themselves in terms of their arts and craft, and their critical faculties. Conversations with: Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarcón Díaz, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutiérrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar.
The Music of the Arabs
The Music of the Arabs - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Music of the Arabs write by Habib Hassan Touma. This book was released on 2003-01-01. The Music of the Arabs available in PDF, EPUB and Kindle. (Amadeus). Encompassing a history of more than 2000 years, the music of the Arabs is unique among the world's various musical cultures. This book presents an overview of Arabic music throughout history and examines the artistic output of contemporary musicians, covering secular and sacred, instrumental and vocal, improvised and composed music. Typical musical structures are elucidated, and a detailed bibliography, a discography (mainly covering the last 50 years) and a guide to the Arabic alphabet for English speakers are also provided. The paperback edition (00331635) includes a CD of seven traditional Arabic pieces performed by contemporary Arab musicians.
Arab Music Theory in the Modern Period
Arab Music Theory in the Modern Period - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Arab Music Theory in the Modern Period write by Scott Lloyd Marcus. This book was released on 1996. Arab Music Theory in the Modern Period available in PDF, EPUB and Kindle. The dissertation is a critical review of modern Arab modal theory as presented i n written sources, as taught in present-day Cairo, and as conceptualized by cont emporary performers. The temporal focus of the study, the 'modern period, ' exten ds roughly from the mid-eighteenth century to the present day. The geographic fo cus is the eastern Mediterranean region ranging from Egypt to Syria and Lebanon. The first chapter introduces the modern period giving special attention to the changing position of music and music theory in Arab culture. It also introduces the main Arabic-language sources. The remainder of the dissertation is divided i nto four parts dealing with notes, tetrachords, modes, and modulation, respectiv ely. Part one considers the notes as they are conceptualized in the indigenous s ystem of Arabic/Persian note names, discusses the introduction of Western solfeg e and Western notation into Middle Eastern music culture, and analyzes concepts of tuning and intonation held by modern-period theorists and present-day perform ers. Part Two discusses melodic intervals and modern tetrachordal theory. Part T hree analyzes a number of important issues concerning the musical modes (the maq amat, s. maqam) including their number and classification. The essential element s that contribute to the definition of the individual modes are discussed in tur n in a multisectioned chapter ten; e.g., tonic, ambitus, starting notes, etc. Pa rt Four examines the role of and the rules governing modulation in contemporary practice. Within each chapter, discussions are organized chronologically, beginn ing with concepts that existed in the late-eighteenth, early-nineteenth centurie s and ending with those that exist today. A concluding chapter views aspects of music theory from a cross-cultural perspective. While the quarter-tone scale has provided an important element of continuity throughout the modern period, it is found that the concept of mode has changed drastically over the same period. Th is and other changes in the music theory occurred in response to a variety of so cial, cultural, and musical forces. In view of these changes, the modern period is best divided into three subperiods (early, middle, and present-day).
