Islamic Art in the Metropolitan Museum of Art

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Author :
Release : 1972
Genre : Art
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Book Rating : 116/5 ( reviews)

Islamic Art in the Metropolitan Museum of Art - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Islamic Art in the Metropolitan Museum of Art write by Metropolitan Museum of Art (New York, N.Y.). This book was released on 1972. Islamic Art in the Metropolitan Museum of Art available in PDF, EPUB and Kindle.

Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)

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Release : 2012
Genre : Architecture
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Book Rating : 588/5 ( reviews)

Bibliography of Art and Architecture in the Islamic World (2 Vol. Set) - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Bibliography of Art and Architecture in the Islamic World (2 Vol. Set) write by Susan Sinclair. This book was released on 2012. Bibliography of Art and Architecture in the Islamic World (2 Vol. Set) available in PDF, EPUB and Kindle. Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

The Formation of Islamic Art

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Release : 1987-01-01
Genre : Art
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Book Rating : 463/5 ( reviews)

The Formation of Islamic Art - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Formation of Islamic Art write by Oleg Grabar. This book was released on 1987-01-01. The Formation of Islamic Art available in PDF, EPUB and Kindle. This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."--Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."--Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art."--American Historical Review

À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries

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Release : 2019-11-04
Genre : History
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Book Rating : 646/5 ( reviews)

À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries write by Francine Giese. This book was released on 2019-11-04. À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries available in PDF, EPUB and Kindle. The present volume offers an overview of collecting and displaying Islamic art during the long nineteenth century. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels. Special attention is given to little-known collections in Eastern Europe and beyond. L’ouvrage fournit un panorama du collectionnisme d’art islamique au cours du long XIXe siècle, en mettant l’accent sur la figure d’Henri Moser Charlottenfels et des collections méconnues situées en Europe central, et au-delà.

Private Collectors of Islamic Art in Late Nineteenth-Century London

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Release : 2021-09-09
Genre : Art
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Book Rating : 000/5 ( reviews)

Private Collectors of Islamic Art in Late Nineteenth-Century London - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Private Collectors of Islamic Art in Late Nineteenth-Century London write by Isabelle Gadoin. This book was released on 2021-09-09. Private Collectors of Islamic Art in Late Nineteenth-Century London available in PDF, EPUB and Kindle. This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.