Art, Patronage, and Nepotism in Early Modern Rome - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Art, Patronage, and Nepotism in Early Modern Rome write by Karen J. Lloyd. This book was released on 2022-08-19. Art, Patronage, and Nepotism in Early Modern Rome available in PDF, EPUB and Kindle. Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid social status. Through politically savvy frescos and emotionally evocative displays of paintings, sculptures, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fuelling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics. The book will be of interest to scholars working in art history, early modern studies, religious history, and political history.
Adopted Papal Kin as Art Patrons in Early Modern Rome (1592-1676)
Adopted Papal Kin as Art Patrons in Early Modern Rome (1592-1676) - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Adopted Papal Kin as Art Patrons in Early Modern Rome (1592-1676) write by Karen Jean Lloyd. This book was released on 2010. Adopted Papal Kin as Art Patrons in Early Modern Rome (1592-1676) available in PDF, EPUB and Kindle. This dissertation examines the art patronage of adopted papal nephews in Baroque Rome (1592-1676), exploring the relationship between adoption and the arts in the context of a political system based on clientage and nepotism. When the nephew was not from the same paternal line as the pope, the onus fell on the pope and his nephew to publicly proclaim, thereby reifying, the solidity of their relationship. Adopted nephews used the visual arts to create public displays of the unity of the ruling papal family, to demonstrate allegiance to a new paternal affiliation, and as part of the client system, in which works of art acted as signs of favor. Chapter 1 offers an outline of adoption and its reception based on primary source documents; subsequent chapters are case studies of individual patrons. Cinzio Passeri Aldobrandini's (1551-1610) career demonstrates the essential link between paternity and authority. This chapter presents unpublished documentation regarding Cinzio as a collector and reconsiders the significance of his ties to poet Torquato Tasso. Scipione Caffarelli Borghese's (1577-1632) commissions reiterate the hierarchical relationship between pope and nephew, preempting potential dissent by reaffirming the source and limitations of his authority and proclaiming the unity of the Borghese papacy. The first detailed reading of Guido Reni's 1608 Vatican Palace frescoes anchors this chapter. Contemporary commentary regarding the first true adopted nephew, Camillo Astalli Pamphili (1619-63), illustrates the extent of the resistance to adoption. His few commissions, from Vel©Łzquez and Claude Lorrain, present him as a worthy nephew in an attempt to normalize his unprecedented situation. The three adopted nephews of Clement X (1670-76) used their projects to proclaim their crucial role in the Altieri papacy and the illustrious heritage of their Albertoni family roots. From new analyzes of Carlo Maratti's Altieri Palace fresco and its development, to the rediscovery of a lost painting by Baciccio, this chapter highlights the issues at the crux of early modern resistance to adoption: loyalty, memory, and legitimacy. As the first study of adoption and its relationship to the visual arts in Seicento Rome, this dissertation reconstitutes a key component of baroque society and culture.
Polychrome Art in the Early Modern World
Polychrome Art in the Early Modern World - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Polychrome Art in the Early Modern World write by Ilenia Colón Mendoza. This book was released on 2024-07-04. Polychrome Art in the Early Modern World available in PDF, EPUB and Kindle. This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.
Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland
Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland write by Olga Maria Hajduk. This book was released on 2024-04-23. Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland available in PDF, EPUB and Kindle. The original research in this book analyzes the artistic activity of Santi Gucci (1533– c.1600), a Florentine sculptor active in Poland in the second half of the sixteenth century, and his workshop. Chapters examine the organization of the artistic workshop (sculpting and masonry) and the model of the artist’s functioning as an entrepreneur in Renaissance Poland, using Santi Gucci’s activity as an example. Gucci shaped the image of Polish sculpture in the sixteenth century for more than 50 years, even though his work has not yet been fully examined. The author sets Gucci’s emigration within the context of the cultural exchanges between Italy and Poland that contributed to the development of the Polish Renaissance. The book will be of interest to scholars working in art history, Renaissance studies, architectural history and economic history.
Baronial Patronage of Music in Early Modern Rome
Baronial Patronage of Music in Early Modern Rome - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Baronial Patronage of Music in Early Modern Rome write by Valerio Morucci. This book was released on 2018. Baronial Patronage of Music in Early Modern Rome available in PDF, EPUB and Kindle. This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage ¿ the support of a person or institution and their work by a patron ¿ in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence.
