British Literature and Classical Music

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Release : 2015-09-24
Genre : Literary Criticism
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Book Rating : 824/5 ( reviews)

British Literature and Classical Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook British Literature and Classical Music write by David Deutsch. This book was released on 2015-09-24. British Literature and Classical Music available in PDF, EPUB and Kindle. British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.

British Literature and Classical Music

Download British Literature and Classical Music PDF Online Free

Author :
Release : 2015-09-24
Genre : Literary Criticism
Kind :
Book Rating : 832/5 ( reviews)

British Literature and Classical Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook British Literature and Classical Music write by David Deutsch. This book was released on 2015-09-24. British Literature and Classical Music available in PDF, EPUB and Kindle. British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.

Sound and Literature

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Release : 2020-06-18
Genre : Literary Criticism
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Book Rating : 200/5 ( reviews)

Sound and Literature - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Sound and Literature write by Anna Snaith. This book was released on 2020-06-18. Sound and Literature available in PDF, EPUB and Kindle. What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.

Music and Religion in the Writings of Ian Mcewan

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Release : 2023-11-07
Genre : Literary Criticism
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Book Rating : 829/5 ( reviews)

Music and Religion in the Writings of Ian Mcewan - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music and Religion in the Writings of Ian Mcewan write by Iain Quinn. This book was released on 2023-11-07. Music and Religion in the Writings of Ian Mcewan available in PDF, EPUB and Kindle. The majority of characters in Ian McEwan's novels are educated members of the middle class, but without any great private financial means and certainly no great affluence. Despite different occupations, whether scientist (Solar), musician (On Chesil Beach, Amsterdam) or surgeon (Saturday), they are faced with moral, ethical, religious and personal dilemmas that bear resonance to a contemporary audience. Classical music is present throughout McEwan's writings (including his recent Lessons, 2022), mostly not as an accompanying theme but as a necessary part of life's pleasures and for some, essential needs. The combination of music and the unforgettable narrative moments create a unique space for McEwan to translate his views on the world. The value of music, not least as a complementary presence to silence, is portrayed not just as the source of comfort but as a known presence that is dependable to an individual on a near spiritual level. Within his writings there is also a clear understanding of the role of the Church of England as a societal, cultural and established presence within British society. In the literary descriptions of McEwan and other authors this often extends beyond the immediate theological and ecclesiastical concerns of the day. McEwan's writings demonstrate a perceptive knowledge of the nuances of this highly specific cultural dynamic. McEwan's ability to discern sentiments that easily resonate with musicians place his contribution to the field of music and literature studies in a singular position among living writers discussing classical music in Britain. This book provokes questions for those who encounter these areas for the first time in McEwan's writings, and it offers a place of sustained enquiry for those who have experienced these fields first-hand, whether as listeners, performers, congregants, audience members or scholars across literary, musical or ecclesiastical fields. Iain Quinn's book will be of interest to scholars and students of contemporary British literature, as well as those interested in words and music studies more generally.

Women Writing Music in Late Eighteenth-Century England

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Release : 2017-07-05
Genre : Literary Criticism
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Book Rating : 613/5 ( reviews)

Women Writing Music in Late Eighteenth-Century England - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Women Writing Music in Late Eighteenth-Century England write by Leslie Ritchie. This book was released on 2017-07-05. Women Writing Music in Late Eighteenth-Century England available in PDF, EPUB and Kindle. Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.