Caroline Walker - Janet

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Release : 2021-01-12
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Book Rating : 266/5 ( reviews)

Caroline Walker - Janet - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Caroline Walker - Janet write by CAROLINE. JUDAH WALKER (HETTIE.). This book was released on 2021-01-12. Caroline Walker - Janet available in PDF, EPUB and Kindle. Celebrated for her paintings of women in diverse contexts, from Los Angeles hotels to temporary social housing, Caroline Walker navigates subjects including the pay gap, the beauty industry, gender stereotypes, and ageism. Here she presents a body of work depicting the daily life of the artist's mother at the family home in Fife, Scotland.

Jesus as Mother

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Release : 2023-09-01
Genre : Religion
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Book Rating : 531/5 ( reviews)

Jesus as Mother - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Jesus as Mother write by Caroline Walker Bynum. This book was released on 2023-09-01. Jesus as Mother available in PDF, EPUB and Kindle. From the Introduction, by Caroline Walker Bynum: The opportunity to rethink and republish several of my early articles in combination with a new essay on the thirteenth century has led me to consider the continuity-both of argument and of approach-that underlies them. In one sense, their interrelationship is obvious. The first two address a question that was more in the forefront of scholarship a dozen years ago than it is today: the question of differences among religious orders. These two essays set out a method of reading texts for imagery and borrowings as well as for spiritual teaching in order to determine whether individuals who live in different institutional settings hold differing assumptions about the significance of their lives. The essays apply the method to the broader question of differences between regular canons and monks and the narrower question of differences between one kind of monk--the Cistercians--and other religious groups, monastic and nonmonastic, of the twelfth century. The third essay draws on some of the themes of the first two, particularly the discussion of canonical and Cistercian conceptions of the individual brother as example, to suggest an interpretation of twelfth-century religious life as concerned with the nature of groups as well as with affective expression. The fourth essay, again on Cistercian monks, elaborates themes of the first three. Its subsidiary goals are to provide further evidence on distinctively Cistercian attitudes and to elaborate the Cistercian ambivalence about vocation that I delineate in the essay on conceptions of community. It also raises questions that have now become popular in nonacademic as well as academic circles: what significance should we give to the increase of feminine imagery in twelfth-century religious writing by males? Can we learn anything about distinctively male or female spiritualities from this feminization of language? The fifth essay differs from the others in turning to the thirteenth century rather than the twelfth, to women rather than men, to detailed analysis of many themes in a few thinkers rather than one theme in many writers; it is nonetheless based on the conclusions of the earlier studies. The sense of monastic vocation and of the priesthood, of the authority of God and self, and of the significance of gender that I find in the three great mystics of late thirteenth-century Helfta can be understood only against the background of the growing twelfth- and thirteenth-century concern for evangelism and for an approachable God, which are the basic themes of the first four essays. Such connections between the essays will be clear to anyone who reads them. There are, however, deeper methodological and interpretive continuities among them that I wish to underline here. For these studies constitute a plea for an approach to medieval spirituality that is not now--and perhaps has never been--dominant in medieval scholarship. They also provide an interpretation of the religious life of the high Middle Ages that runs against the grain of recent emphases on the emergence of "lay spirituality." I therefore propose to give, as introduction, both a discussion of recent approaches to medieval piety and a short sketch of the religious history of the twelfth and thirteenth centuries, emphasizing those themes that are the context for my specific investigations. I do not want to be misunderstood. In providing here a discussion of approaches to and trends in medieval religion I am not claiming that the studies that follow constitute a general history nor that my method should replace that of social, institutional, and intellectual historians. A handful of Cistercians does not typify the twelfth century, nor three nuns the thirteenth. Religious imagery, on which I concentrate, does not tell us how people lived. But because these essays approach texts in a way others have not done, focus on imagery others have not found important, and insist, as others have not insisted, on comparing groups to other groups (e.g., comparing what is peculiarly male to what is female as well as vice versa), I want to call attention to my approach to and my interpretation of the high Middle Ages in the hope of encouraging others to ask similar questions.

Caroline Walker - In Every Dream Home

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Release : 2013-08-19
Genre : Art
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Book Rating : 613/5 ( reviews)

Caroline Walker - In Every Dream Home - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Caroline Walker - In Every Dream Home write by Marco Livingstone. This book was released on 2013-08-19. Caroline Walker - In Every Dream Home available in PDF, EPUB and Kindle. Caroline Walker (b. 1982, Dunfermline) has established herself as one of the UK’s most exciting figurative painters of her generation working internationally today. By means of an elegant and seductive yet forthright use of paint, Walker makes paintings that explore ideas of gender in relation to architecture. With a particular interest in femininity, she addresses people’s physical, psychological, emotional, and social relationships with the buildings in which they spend time – whether at home, at work, at leisure or in more mysterious circumstances. By depicting women undertaking all manner of activities, from everyday chores, sleeping, and sunbathing to more obscure or dramatic scenarios, she takes the viewer inside people’s private worlds and states of mind. Some of the women depicted seem lonely, bored, tired, or depressed, while others appear playful and relaxed, whether alone or in company. Often it is unclear who the women are or what their relationship is with the premises in which they are located, raising notions of identity, class, and roles acted out at different times in people’s lives. As many of the locations depicted are luxury houses and apartments, it is hard to say if a particular person is the owner or a tenant, a guest or a maid, opening up economic, political, social, and cultural questions about the paintings – are we looking at the super rich at leisure, house-sitters, holidaymakers, domestic workers, squatters, or actors on set? While the paintings are often charming and appealing, there is regularly something odd or unexpected underlying them – occasionally verging on the threatening or dangerous. Sometimes dream homes can be anything but The research and development for Walker’s paintings is an elaborate process. Involving numerous life models and actors, she finds properties around the world in which to stage photo shoots. Carefully chosen costumes, accessories and props are brought along, and Walker directs her cast around the property. Following this, the artist makes a number of drawings and oil sketches before settling on a composition to work up into a final painting back in her studio. It is a process that clearly helps to generate the cinematic and theatrical atmosphere that pervades her work. Alongside film influences ranging from Hitchcock to Lynch and recent Hollywood productions, Walker is inspired by artists including Eric Fischl, the Scottish colorists, and current painting from Central and Eastern Europe, as well as by the constructed photography of Hannah Starkey, Gregory Crewdson, and Jeff Wall. Full of contemporary and historical references and influences, Walker’s practice is an engaging journey into the modern female condition and the ‘female gaze’. In Every Dream Home – the first monograph of Walker’s work – features around fifty key paintings, oil sketches, and ink drawings alongside an introductory text by art historian, critic, and curator Marco Livingstone, an essay by independent critic and curator Jane Neal, and an interview with the artist by editor and curator Matt Price.

Wonderful Blood

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Release : 2007-11-05
Genre : History
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Book Rating : 196/5 ( reviews)

Wonderful Blood - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Wonderful Blood write by Caroline Walker Bynum. This book was released on 2007-11-05. Wonderful Blood available in PDF, EPUB and Kindle. Bynum argues that Christ's blood as both object and symbol was central to late medieval art, literature, and religious life. As cult object, blood provided a focus of theological debate about the nature of matter, body, and God and an occasion for Jewish persecution; as motif, blood became a central symbol in popular devotion.

Holy Feast and Holy Fast

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Release : 1988-01-07
Genre : History
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Book Rating : 783/5 ( reviews)

Holy Feast and Holy Fast - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Holy Feast and Holy Fast write by Caroline Walker Bynum. This book was released on 1988-01-07. Holy Feast and Holy Fast available in PDF, EPUB and Kindle. In the period between 1200 and 1500 in western Europe, a number of religious women gained widespread veneration and even canonization as saints for their extraordinary devotion to the Christian eucharist, supernatural multiplications of food and drink, and miracles of bodily manipulation, including stigmata and inedia (living without eating). The occurrence of such phenomena sheds much light on the nature of medieval society and medieval religion. It also forms a chapter in the history of women. Previous scholars have occasionally noted the various phenomena in isolation from each other and have sometimes applied modern medical or psychological theories to them. Using materials based on saints' lives and the religious and mystical writings of medieval women and men, Caroline Walker Bynum uncovers the pattern lying behind these aspects of women's religiosity and behind the fascination men and women felt for such miracles and devotional practices. She argues that food lies at the heart of much of women's piety. Women renounced ordinary food through fasting in order to prepare for receiving extraordinary food in the eucharist. They also offered themselves as food in miracles of feeding and bodily manipulation. Providing both functionalist and phenomenological explanations, Bynum explores the ways in which food practices enabled women to exert control within the family and to define their religious vocations. She also describes what women meant by seeing their own bodies and God's body as food and what men meant when they too associated women with food and flesh. The author's interpretation of women's piety offers a new view of the nature of medieval asceticism and, drawing upon both anthropology and feminist theory, she illuminates the distinctive features of women's use of symbols. Rejecting presentist interpretations of women as exploited or masochistic, she shows the power and creativity of women's writing and women's lives.