Cultural diversity versus US cultural imperialism: The film industry - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Cultural diversity versus US cultural imperialism: The film industry write by Stephanie Rohac. This book was released on 2007-01-31. Cultural diversity versus US cultural imperialism: The film industry available in PDF, EPUB and Kindle. Essay from the year 2006 in the subject Economics - International Economic Relations, grade: 1,3, University of Leipzig, language: English, abstract: Films can be seen as cultural products. To understand international trade of these cultural products it is necessary to reveal how industries and markets operate and evolve, furthermore analyzing the influence of industry structure, government policies and global economic conditions. International trade allows expanding markets to become certainly larger than the domestic one, as a result the consumer has the possibility to choose within a greater variety of goods and to take advantage from lower prices. Films are part of each culture. But still, films are products, first of all produced and sold in intention to make profits. What are films? Why do we speak from US Cultural imperialism? What can be regarded as cultural diversity? Which debates and agreements should be focused on when analyzing international trade of films? And finally, why do the U.S. dominate that industry? Which economic factors play a major role in this case? How sustainable is the U.S.? That sounds interesting? These and more questions will be answered within that economic essay.
Cultural Diversity Versus US Cultural Imperialism: The Film Industry
Cultural Diversity Versus US Cultural Imperialism: The Film Industry - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Cultural Diversity Versus US Cultural Imperialism: The Film Industry write by Stephanie Rohac. This book was released on 2007-11. Cultural Diversity Versus US Cultural Imperialism: The Film Industry available in PDF, EPUB and Kindle. Essay from the year 2006 in the subject Economics - International Economic Relations, grade: 1,3, University of Leipzig, 5 entries in the bibliography, language: English, abstract: Films can be seen as cultural products. To understand international trade of these cultural products it is necessary to reveal how industries and markets operate and evolve, furthermore analyzing the influence of industry structure, government policies and global economic conditions. International trade allows expanding markets to become certainly larger than the domestic one, as a result the consumer has the possibility to choose within a greater variety of goods and to take advantage from lower prices. Films are part of each culture. But still, films are products, first of all produced and sold in intention to make profits. What are films? Why do we speak from US Cultural imperialism? What can be regarded as cultural diversity? Which debates and agreements should be focused on when analyzing international trade of films? And finally, why do the U.S. dominate that industry? Which economic factors play a major role in this case? How sustainable is the U.S.? That sounds interesting? These and more questions will be answered within that economic essay.
American and Chinese-Language Cinemas
American and Chinese-Language Cinemas - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook American and Chinese-Language Cinemas write by Lisa Funnell. This book was released on 2014-09-19. American and Chinese-Language Cinemas available in PDF, EPUB and Kindle. Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics in Hollywood. The aim of this collection is to (re)consider the complex dynamics of transnational cultural flows between American and Chinese-language film industries. The goal is to bring a more historical perspective to the subject, focusing as much on the Hollywood influence on early Shanghai or postwar Hong Kong films as on the intensifying flows between American and Chinese-language cinemas in recent decades. Contributors emphasize the processes of appropriation and reception involved in transnational cultural practices, examining film production, distribution, and reception.
Cultural Diversity in the French Film Industry
Cultural Diversity in the French Film Industry - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Cultural Diversity in the French Film Industry write by Sarah Walkley. This book was released on 2018-09-22. Cultural Diversity in the French Film Industry available in PDF, EPUB and Kindle. This is the first book to examine whether France’s ongoing defence of the cultural exception as a means to maintain cultural policies and defend cultural diversity is justifiable in the digital age. It questions whether the arrival of new players such as Apple and Netflix makes defence impossible, and whether an explosion in the number of films available makes policies for cultural promotion increasingly unnecessary. The book takes a critical look at French film policy to establish whether it promotes cultural diversity across cinema and video on demand and the implications for ongoing defence of the cultural exception. Sarah Walkley ultimately makes the case for a more disciplined approach to discussion of the cultural exception and cultural diversity in France supporting ideological arguments about competition, freedom of expression, consumer choice and national identity with concrete evidence of the success of French policies in countering US film market dominance.
Hollywood and the Culture Elite
Hollywood and the Culture Elite - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Hollywood and the Culture Elite write by Peter Decherney. This book was released on 2005-04-06. Hollywood and the Culture Elite available in PDF, EPUB and Kindle. As Americans flocked to the movies during the first part of the twentieth century, the guardians of culture grew worried about their diminishing influence on American art, education, and American identity itself. Meanwhile, Hollywood studio heads were eager to stabilize their industry, solidify their place in mainstream society, and expand their new but tenuous hold on American popular culture. Peter Decherney explores how these needs coalesced and led to the development of a symbiotic relationship between the film industry and America's stewards of high culture. Formed during Hollywood's Golden Age (1915-1960), this unlikely partnership ultimately insured prominent places in American culture for both the movie industry and elite cultural institutions. It redefined Hollywood as an ideal American industry; it made movies an art form instead of simply entertainment for the masses; and it made moviegoing a vital civic institution. For their part, museums and universities used films to maintain their position as quintessential American institutions. As the book delves into the ties between Hollywood bigwigs and various cultural leaders, an intriguing cast of characters emerges, including the poet Vachel Lindsay, film producers Adolph Zukor and Joseph Kennedy, Hollywood flak and censor extraordinaire Will Hays, and philanthropist turned politician Nelson Rockefeller. Decherney considers how Columbia University's film studies program helped integrate Jewish students into American culture while also professionalizing screenwriting. He examines MoMA's career-savvy film curator Iris Barry, a British feminist once dedicated to stemming the tide of U.S. cultural imperialism, who ultimately worked with Hollywood and the U.S. government to fight fascism and communism and promote American values abroad. Other chapters explore Vachel Lindsay's progressive vision of movies as reinvigorating the public sphere through film libraries and museums; the promotion of movie connoisseurship at Harvard and other universities; and how the heir of a railroad magnate bankrolled the American avant-garde film movement. Amid ethnic diversity, the rise of mass entertainment, world war, and the global spread of American culture, Hollywood and cultural institutions worked together to insure their own survival and profitability and to provide a coherent, though shifting, American identity.
