Deleuze, Japanese Cinema, and the Atom Bomb - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Deleuze, Japanese Cinema, and the Atom Bomb write by David Deamer. This book was released on 2014-07-31. Deleuze, Japanese Cinema, and the Atom Bomb available in PDF, EPUB and Kindle. David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
Deleuze, Japanese Cinema, and the Atom Bomb
Deleuze, Japanese Cinema, and the Atom Bomb - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Deleuze, Japanese Cinema, and the Atom Bomb write by David Deamer. This book was released on 2014-07-31. Deleuze, Japanese Cinema, and the Atom Bomb available in PDF, EPUB and Kindle. David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
The Atomic Bomb in Japanese Cinema
The Atomic Bomb in Japanese Cinema - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Atomic Bomb in Japanese Cinema write by Matthew Edwards. This book was released on 2018-07-24. The Atomic Bomb in Japanese Cinema available in PDF, EPUB and Kindle. Seventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata's NN-891102 (1999), atomic bomb imagery features in all genres of Japanese film. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included.
Hibakusha Cinema
Hibakusha Cinema - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Hibakusha Cinema write by Mick Broderick. This book was released on 2013-11-05. Hibakusha Cinema available in PDF, EPUB and Kindle. First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.
Japanese Horror Cinema and Deleuze
Japanese Horror Cinema and Deleuze - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Japanese Horror Cinema and Deleuze write by Rachel Elizabeth Barraclough. This book was released on 2022-01-13. Japanese Horror Cinema and Deleuze available in PDF, EPUB and Kindle. Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the monstrous-feminine, can be transformed, allowing these models to become more flexible.
