Early Modern Writing and the Privatization of Experience - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Early Modern Writing and the Privatization of Experience write by Nick Davis. This book was released on 2015-04-09. Early Modern Writing and the Privatization of Experience available in PDF, EPUB and Kindle. Reading a wide range of early modern authors and exploring their cultural-historical, philosophical and scientific contexts, Early Modern Writing and the Privatization of Experience examines the shift in focus from reliance on shared experience to placing of trust in individualized experience which occurs in the writing and culture of the period. Nick Davis contends that much of the era's literary production participates significantly in this broad cultural movement. Covering key writers of the period including Shakespeare, Donne, Chaucer, Spenser, Langland, Hobbes and Bunyan, Davis begins with an overview of the medieval-early modern privatizing cultural transition. He then goes on to offer an analysis of King Lear, Richard II, Henry IV Part 1, The Winter's Tale, and the first three books of The Fairie Queene, among other texts, considering their treatment of the relation between individual life and the life attributed to the cosmos, the idea of symbolic narrative positing a collective human subject, and the forming of pragmatic relations between individual and group.
Early Modern Writing and the Privatization of Experience
Early Modern Writing and the Privatization of Experience - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Early Modern Writing and the Privatization of Experience write by Nick Davis. This book was released on 2013-10-24. Early Modern Writing and the Privatization of Experience available in PDF, EPUB and Kindle. Reading a wide range of early modern authors and exploring their cultural-historical, philosophical and scientific contexts, Early Modern Writing and the Privatization of Experience examines the shift in focus from reliance on shared experience to placing of trust in individualized experience which occurs in the writing and culture of the period. Nick Davis contends that much of the era's literary production participates significantly in this broad cultural movement. Covering key writers of the period including Shakespeare, Donne, Chaucer, Spenser, Langland, Hobbes and Bunyan, Davis begins with an overview of the medieval-early modern privatizing cultural transition. He then goes on to offer an analysis of King Lear, Richard II, Henry IV Part 1, The Winter's Tale, and the first three books of The Fairie Queene, among other texts, considering their treatment of the relation between individual life and the life attributed to the cosmos, the idea of symbolic narrative positing a collective human subject, and the forming of pragmatic relations between individual and group.
Early Modern Writing and the Privatisation of Experience
Early Modern Writing and the Privatisation of Experience - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Early Modern Writing and the Privatisation of Experience write by Nicholas Mark Davis. This book was released on 2013. Early Modern Writing and the Privatisation of Experience available in PDF, EPUB and Kindle.
Sympathy in Early Modern Literature and Culture
Sympathy in Early Modern Literature and Culture - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Sympathy in Early Modern Literature and Culture write by Richard Meek. This book was released on 2023-04-13. Sympathy in Early Modern Literature and Culture available in PDF, EPUB and Kindle. This is the first comprehensive study of sympathy in the early modern period, providing a deeply researched and interdisciplinary examination of its development in Anglophone literature and culture. It argues that the term sympathy was used to refer to an active and imaginative sharing of affect considerably earlier than previous critical and historical accounts have suggested. Investigating a wide range of texts and genres, including prose fiction, sermons, poetic complaint, drama, political tracts, and scientific treatises, Richard Meek demonstrates the ways in which sympathy in the period is bound up with larger debates about society, religion, and identity. He also reveals the extent to which early modern emotions were not simply humoral or grounded in the body, but rather relational, comparative, and intertextual. This volume will be of particular interest to scholars and students of Renaissance literature and history, the history of emotions, and the history and philosophy of science.
Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama
Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama write by Nandini Das. This book was released on 2016-12-08. Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama available in PDF, EPUB and Kindle. This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.
