Elemental Sensuous

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Release : 2016-09-23
Genre : Philosophy
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Book Rating : 968/5 ( reviews)

Elemental Sensuous - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Elemental Sensuous write by John Murungi. This book was released on 2016-09-23. Elemental Sensuous available in PDF, EPUB and Kindle. Under the guidance of phenomenological insights, this book presents the sensuous in its elemental sense. The elemental is not to be confused here with the classical notion of the atom, which is viewed as a self-contained entity into which all reality is reducible. Rather, the elemental is a living creative force that resists categorization. This force embodies the principle of openness and opening, a principle celebrated and given expression by numerous artists and other friends of the sensuous. As elemental, the sensuous irreducibly expresses itself in multiple ways. The editors of this volume avoid posting themselves between the sensuous and those to whom it presents itself. Each of the contributors here responds to the call of the elemental, and each finds his or her starting point where everyone else starts and ends. The multiple voices brought together here constitute a concert, with the elemental sensuous as the conductor. In reading this book, the reader will become more aware of himself or herself, and more aware of the world in which he or she lives.

Bach’s Cycle, Mozart’s Arrow

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Release : 2007-10-02
Genre : Art
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Book Rating : 915/5 ( reviews)

Bach’s Cycle, Mozart’s Arrow - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Bach’s Cycle, Mozart’s Arrow write by Karol Berger. This book was released on 2007-10-02. Bach’s Cycle, Mozart’s Arrow available in PDF, EPUB and Kindle. Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.

Jizi and His Art in Contemporary China

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Release : 2015-02-12
Genre : Social Science
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Book Rating : 293/5 ( reviews)

Jizi and His Art in Contemporary China - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Jizi and His Art in Contemporary China write by David Adam Brubaker. This book was released on 2015-02-12. Jizi and His Art in Contemporary China available in PDF, EPUB and Kindle. This interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi’s success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Hao’s classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists such as E.C. Escher, Guo Xi, Jia Youfu, Liu Guosong, Rene Magritte, Piet Mondrian, and Xu Bing. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present. In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics articulated in terms of wholeness, emptiness, and visibility that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global. Mary Wiseman, The City University of New York This important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary. Dr. Wenny Teo, The Courtauld Institute of Art Through an in-depth study of the ink painting practice of contemporary Chinese artist Jizi, the authors discover Chinese ink painting’s philosophical perspectives, cosmic foundations, and contemporary possibilities. They also uncovered a way to enter into the artist’s rich and profound spiritual world; through Jiazi’s expansive visual patterning and refined spiritual imagery, he activates a long and great cultural tradition. Yu Yang, Central Academy of Fine Arts

Kierkegaard, Literature, and the Arts

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Release : 2018-01-15
Genre : Philosophy
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Book Rating : 981/5 ( reviews)

Kierkegaard, Literature, and the Arts - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Kierkegaard, Literature, and the Arts write by Eric Ziolkowski. This book was released on 2018-01-15. Kierkegaard, Literature, and the Arts available in PDF, EPUB and Kindle. In this volume fifteen eminent scholars illuminate the broad and often underappreciated variety of the nineteenth‐century Danish thinker Søren Kierkegaard’s engagements with literature and the arts. The essays in Kierkegaard, Literature, and the Arts, contextualized with an insightful introduction by Eric Ziolkowski, explore Kierkegaard’s relationship to literature (poetry, prose, and storytelling), the performing arts (theater, music, opera, and dance), and the visual arts, including film. The collection is rounded out with a comparative section that considers Kierkegaard in juxtaposition with a romantic poet (William Blake), a modern composer (Arnold Schoenberg), and a contemporary singer‐songwriter (Bob Dylan). Kierkegaard was as much an aesthetic thinker as a philosopher, and his philosophical writings are complemented by his literary and music criticism. Kierkegaard, Literature, and the Arts will offer much of interest to scholars concerned with Kierkegaard as well as teachers, performers, and readers in the various aesthetic fields discussed. CONTRIBUTORS: Christopher B. Barnett, Martijn Boven, Anne Margrete Fiskvik, Joakim Garff, Ronald M. Green, Peder Jothen, Ragni Linnet, Jamie A. Lorentzen, Edward F. Mooney, George Pattison, Nils Holger Petersen, Howard Pickett, Marcia C. Robinson, James Rovira

Volume 5, Tome III: Kierkegaard and the Renaissance and Modern Traditions - Literature, Drama and Music

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Release : 2016-12-05
Genre : Philosophy
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Book Rating : 519/5 ( reviews)

Volume 5, Tome III: Kierkegaard and the Renaissance and Modern Traditions - Literature, Drama and Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Volume 5, Tome III: Kierkegaard and the Renaissance and Modern Traditions - Literature, Drama and Music write by Jon Stewart. This book was released on 2016-12-05. Volume 5, Tome III: Kierkegaard and the Renaissance and Modern Traditions - Literature, Drama and Music available in PDF, EPUB and Kindle. The long period from the Renaissance to the nineteenth century supplied numerous sources for Kierkegaard's thought in any number of different fields. The present, rather heterogeneous volume covers the long period from the birth of Savonarola in 1452 through the beginning of the nineteenth century and into Kierkegaard's own time. The Danish thinker read authors representing vastly different traditions and time periods. Moreover, he also read a diverse range of genres. His interests concerned not just philosophy, theology and literature but also drama and music. The present volume consists of three tomes that are intended to cover Kierkegaard's sources in these different fields of thought. Tome III covers the sources that are relevant for literature, drama and music. Kierkegaard was well read in the European literature of the seventeenth and eighteenth century. He was captivated by the figure of Cervantes' Don Quixote, who is used as a model for humor and irony. He also enjoyed French literature, represented here by articles on Chateaubriand, Lamartine, and Mérimée. French dramatists were popular on the Danish stage, and Kierkegaard demonstrated an interest in, among others, Moliére and Scribe. Although he never possessed strong English skills, this did not prevent him from familiarizing himself with English literature, primarily with the help of German translations. While there is an established body of secondary material on Kierkegaard's relation to Shakespeare, little has been said about his use of the Irish dramatist Sheridan. It is obvious from, among other things, The Concept of Irony that Kierkegaard knew in detail the works of some of the main writers of the German Romantic movement. However, his use of the leading figures of the British Romantic movement, Byron and Shelley, remains largely unexplored terrain. The classic Danish authors of the eighteenth century, Holberg, Wessel and Ewald, were influential figures who prepared the way for the Golden Age of Danish poetry. Kierkegaard constantly refers to their dramatic characters, whom he often employs to illustrate a philosophical idea with a pregnant example or turn of phrase. Finally, while Kierkegaard is not an obvious name in musicology, his analysis of Mozart's Don Giovanni shows that he had a keen interest in music on many different levels.