French Opera 1730-1830: Meaning and Media - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook French Opera 1730-1830: Meaning and Media write by David Charlton. This book was released on 2024-10-28. French Opera 1730-1830: Meaning and Media available in PDF, EPUB and Kindle. The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. ’Media’ is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in ’minuet-scenes’, in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model’ linking various genres from the 1780s with the world of the 1820s. French opera’s relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.
French Grand Opera and the Historical Imagination
French Grand Opera and the Historical Imagination - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook French Grand Opera and the Historical Imagination write by Sarah Hibberd. This book was released on 2009-04-30. French Grand Opera and the Historical Imagination available in PDF, EPUB and Kindle. Closely examining five French operas, this book reveals how and why grand opera sought to bring the past alive.
Encyclopedia of the Romantic Era, 1760–1850
Encyclopedia of the Romantic Era, 1760–1850 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Encyclopedia of the Romantic Era, 1760–1850 write by Christopher John Murray. This book was released on 2013-05-13. Encyclopedia of the Romantic Era, 1760–1850 available in PDF, EPUB and Kindle. In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
The Cambridge Companion to Grand Opera
The Cambridge Companion to Grand Opera - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Cambridge Companion to Grand Opera write by David Charlton. This book was released on 2003-09-04. The Cambridge Companion to Grand Opera available in PDF, EPUB and Kindle. This 2003 Companion is a fascinating and accessible exploration of the world of grand opera. Through this volume a team of scholars and writers on opera examine those important Romantic operas which embraced the Shakespearean sweep of tragedy, history, love in time of conflict, and the struggle for national self-determination. Rival nations, rival religions and violent resolutions are common elements, with various social or political groups represented in the form of operatic choruses. The book traces the origins and development of a style created during an increasingly technical age, which exploited the world-renowned skills of Parisian stage-designers, artists, and dancers as well as singers. It analyses in detail the grand operas by Rossini, Auber, Meyerbeer and Halévy, discusses grand opera in Russia and Germany, and also in the Czech lands, Italy, Britain and the Americas. The volume also includes an essay by the renowned opera director David Pountney.
Musical Genre and Romantic Ideology
Musical Genre and Romantic Ideology - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Musical Genre and Romantic Ideology write by Matthew Gelbart. This book was released on 2022-09-30. Musical Genre and Romantic Ideology available in PDF, EPUB and Kindle. European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.
