From Modes to Keys in Early Modern Music Theory - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook From Modes to Keys in Early Modern Music Theory write by Michael Robert Dodds. This book was released on 2023. From Modes to Keys in Early Modern Music Theory available in PDF, EPUB and Kindle. 'From Modes to Keys in Early Modern Music Theory' addresses one of the broadest and most elusive open topics in music history: the transition from the Renaissance modes to the major and minor keys of the high Baroque. Through deep engagement with the corpus of Western music theory, author Michael R. Dodds presents a model to clarify the factors of this complex shift.
From Modes to Keys in Early Modern Music Theory
From Modes to Keys in Early Modern Music Theory - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook From Modes to Keys in Early Modern Music Theory write by Michael R. Dodds. This book was released on 2023-12-05. From Modes to Keys in Early Modern Music Theory available in PDF, EPUB and Kindle. From Modes to Keys in Early Modern Music Theory addresses one of the broadest and most elusive open topics in music history: the transition from the Renaissance modes to the major and minor keys of the high Baroque. Through deep engagement with the corpus of Western music theory, author Michael R. Dodds presents a model to clarify the factors of this complex shift.
Transitions in Mid-Baroque Music
Transitions in Mid-Baroque Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Transitions in Mid-Baroque Music write by Carrie Churnside. This book was released on 2024-05-28. Transitions in Mid-Baroque Music available in PDF, EPUB and Kindle. Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).
The Making of European Music in the Long Eighteenth Century
The Making of European Music in the Long Eighteenth Century - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Making of European Music in the Long Eighteenth Century write by D. R. M. Irving. This book was released on 2024-09-03. The Making of European Music in the Long Eighteenth Century available in PDF, EPUB and Kindle. Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
The Oxford Handbook of Critical Concepts in Music Theory
The Oxford Handbook of Critical Concepts in Music Theory - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Oxford Handbook of Critical Concepts in Music Theory write by Alexander Rehding. This book was released on 2019-11-19. The Oxford Handbook of Critical Concepts in Music Theory available in PDF, EPUB and Kindle. Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come.
