Handbook of International Futurism - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Handbook of International Futurism write by Günter Berghaus. This book was released on 2018-12-17. Handbook of International Futurism available in PDF, EPUB and Kindle. The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
Handbook of International Futurism
Handbook of International Futurism - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Handbook of International Futurism write by Günter Berghaus. This book was released on 2018-12-17. Handbook of International Futurism available in PDF, EPUB and Kindle. The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
International Futurism 1945-2009
International Futurism 1945-2009 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook International Futurism 1945-2009 write by Günter Berghaus. This book was released on 2016-02-20. International Futurism 1945-2009 available in PDF, EPUB and Kindle. This volume contains some 25,000 bibliographic entries and offers orientation to scholars carrying out research on Futurist artists or writers, or countries and genres in which Futurism exercised a significant influence. The volume lists publications on Futurist activities in Italy, Russia, Germany, France, Spain, Britain, USA, Japan, Latin America and some twenty other countries. It covers a variety of aesthetic aspects, such as painting, literature, theatre, music, cinema, photography, architecture, interior design, graphic arts, fashion design and others.
2014
2014 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook 2014 write by Günter Berghaus. This book was released on 2014-05-21. 2014 available in PDF, EPUB and Kindle. The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.
2015
2015 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook 2015 write by Günter Berghaus. This book was released on 2015-07-01. 2015 available in PDF, EPUB and Kindle. The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
