What is an Image? - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook What is an Image? write by James Elkins. This book was released on 2011. What is an Image? available in PDF, EPUB and Kindle. "Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing"--Provided by publisher.
Images (Books 1 and 2)
Images (Books 1 and 2) - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Images (Books 1 and 2) write by Urtext Piano Reprint. This book was released on 2020-09-09. Images (Books 1 and 2) available in PDF, EPUB and Kindle. Claude Debussy's Complete Images (Books 1 and 2), Urtext Edition. Reproduce the original intention of the composer as exactly as possible, without any added or changed material.
The Absent Image
The Absent Image - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Absent Image write by Elina Gertsman. This book was released on 2021-06-24. The Absent Image available in PDF, EPUB and Kindle. Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Image Bearer
Image Bearer - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Image Bearer write by Ellie Sanazaro. This book was released on 2021-04. Image Bearer available in PDF, EPUB and Kindle. Inspired by Genesis 1:27, "Image Bearer" is a Christian children's book that teaches how God wonderfully created every child in his image. "Image Bearer" is meant to be a resource to help churches and families celebrate differences. It features illustrations inspired by real kids who have an array of diagnoses including Down syndrome, autism, Williams syndrome, spina bifida, cerebral palsy, osteogenesis imperfecta, lymphatic malformation, port-wine stain, Kniest syndrome, epilepsy, and more.
Performing Image
Performing Image - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Performing Image write by Isobel Harbison. This book was released on 2019-04-09. Performing Image available in PDF, EPUB and Kindle. An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.
