Intertextuality in Western Art Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Intertextuality in Western Art Music write by Michael Leslie Klein. This book was released on 2005. Intertextuality in Western Art Music available in PDF, EPUB and Kindle. The first book-length consideration of questions relating to music and meaning.
Intertextuality in Music
Intertextuality in Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Intertextuality in Music write by Violetta Kostka. This book was released on 2021-06-17. Intertextuality in Music available in PDF, EPUB and Kindle. The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.
Interpreting Music
Interpreting Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Interpreting Music write by Lawrence Kramer. This book was released on 2011. Interpreting Music available in PDF, EPUB and Kindle. This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpretation is the paradigm of interpretation in general.
Hope in All Directions
Hope in All Directions - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Hope in All Directions write by Geoffrey Karabin. This book was released on 2019-01-04. Hope in All Directions available in PDF, EPUB and Kindle. From literature, history, film study, philosophy, social work, theology, pedagogy, psychology, gender studies, and music, hope is here. If you find hope important, this volume is essential.
Music's Immanent Future
Music's Immanent Future - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music's Immanent Future write by Sally Macarthur. This book was released on 2016-05-12. Music's Immanent Future available in PDF, EPUB and Kindle. The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers.
