Lotta Antonsson - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Lotta Antonsson write by Lotta Antonsson. This book was released on 2003. Lotta Antonsson available in PDF, EPUB and Kindle.
Lotta Antonsson
Lotta Antonsson - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Lotta Antonsson write by . This book was released on . Lotta Antonsson available in PDF, EPUB and Kindle.
Lotta Antonsson
Lotta Antonsson - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Lotta Antonsson write by Patrik Andersson. This book was released on 2016. Lotta Antonsson available in PDF, EPUB and Kindle. Swedish artist Lotta Antonsson's recent work recalls her fascination with the late 1960s and '70s, in a style "where documentary and fiction blur in a merging of social and sexual revolutions" according to the essay by Patrik Andersson. From a process that utilizes techniques of collage and montage emerges a very personal way of looking at the ephemeral nature of things, whether printed matter (magazines, books) or natural objects (shells, minerals, driftwood). Antonsson's analogue cuts and repetitions seize upon the allegorical potential of image fragments, freeing fashion and erotic photography in an exploration into the gendered side of this clichéd history.
The Photograph as Contemporary Art (Fourth) (World of Art)
The Photograph as Contemporary Art (Fourth) (World of Art) - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Photograph as Contemporary Art (Fourth) (World of Art) write by Charlotte Cotton. This book was released on 2020-09-08. The Photograph as Contemporary Art (Fourth) (World of Art) available in PDF, EPUB and Kindle. A new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton. In the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. The Photograph as Contemporary Art introduces the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged directorial spectacles. Arranged thematically, the book reproduces work from a vast span of photographers, including Andreas Gursky, Barbara Kasten, Catherine Opie, Cindy Sherman, Deana Lawson, Diana Markosian, Elle Pérez, Gregory Halpern, Lieko Shiga, Nan Goldin, Paul Mpagi Sepuya, Pixy Liao, Susan Meiselas, and Zanele Muholi. This fully revised and updated new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Alongside previously featured work, Charlotte Cotton celebrates a new generation of artists who are shaping photography as a culturally significant medium for our current sociopolitical climate. A superb resource, The Photograph as Contemporary Art is a uniquely broad and diverse reflection of the field.
Artificial Hells
Artificial Hells - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Artificial Hells write by Claire Bishop. This book was released on 2012-07-24. Artificial Hells available in PDF, EPUB and Kindle. This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.
