Making Jazz French - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Making Jazz French write by Jeffrey H. Jackson. This book was released on 2003-08-05. Making Jazz French available in PDF, EPUB and Kindle. DIVA history of jazz in interwar France, concentrating on the ways this originally American music was integrated into French culture./div
Making Jazz French
Making Jazz French - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Making Jazz French write by . This book was released on 2009. Making Jazz French available in PDF, EPUB and Kindle. DIVA history of jazz in interwar France, concentrating on the ways this originally American music was integrated into French culture./div
Making Jazz French
Making Jazz French - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Making Jazz French write by Jeffrey H. Jackson. This book was released on 2003-08-05. Making Jazz French available in PDF, EPUB and Kindle. Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial. Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France’s most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.
Making Jazz French
Making Jazz French - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Making Jazz French write by Jeffrey H. Jackson. This book was released on 1999. Making Jazz French available in PDF, EPUB and Kindle.
Jazz and Postwar French Identity
Jazz and Postwar French Identity - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Jazz and Postwar French Identity write by Elizabeth Vihlen McGregor. This book was released on 2016-06-23. Jazz and Postwar French Identity available in PDF, EPUB and Kindle. In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France’s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country’s stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music’s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation.
