Memory, Forgetting and the Moving Image - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Memory, Forgetting and the Moving Image write by Caterina Albano. This book was released on 2016-09-30. Memory, Forgetting and the Moving Image available in PDF, EPUB and Kindle. Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to contested histories. Through a consideration of artworks (film/video and sound installation) by artists whose practice has consistently engaged with issues surrounding memory, amnesia and trauma, the book brings to bear neuro-psychological insight and its implication with the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan.
Memory and the Moving Image
Memory and the Moving Image - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Memory and the Moving Image write by Isabelle McNeill. This book was released on 2012-05-23. Memory and the Moving Image available in PDF, EPUB and Kindle. This book investigates the role of the moving image in cultural memory, taking into account the impact of digital technologies on visual culture.
Memory and Intermediality in Artists’ Moving Image
Memory and Intermediality in Artists’ Moving Image - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Memory and Intermediality in Artists’ Moving Image write by Sarah Durcan. This book was released on 2020-10-19. Memory and Intermediality in Artists’ Moving Image available in PDF, EPUB and Kindle. This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
The Performance of Trauma in Moving Image Art
The Performance of Trauma in Moving Image Art - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Performance of Trauma in Moving Image Art write by Dirk Cornelis de Bruyn. This book was released on 2014-10-02. The Performance of Trauma in Moving Image Art available in PDF, EPUB and Kindle. With reference to recent neurological research into Post-Traumatic Stress Disorder (PTSD) using new imaging technologies and models of implicit and explicit memory systems developed from this research, The Performance of Trauma in Moving Image Art examines the capacity of an artist’s cinema of experimental and avant-garde film to perform and communicate traumatic experience. De Bruyn analyses key films from the 1940s to the present that perform aspects of overwhelming experience through their approach, structure, content and perceptual impact, mapping a trajectory from analogue to contemporary digital moving image practice. He argues for the inclusion of Peter Gidal’s 1970s conception of ‘materialist film’ into the genre of ‘trauma cinema’ through its capacity to articulate un-locatability and perceptually perform dis-orientation and a flashback effect, all further identified here as key characteristics of digital moving image practice. The discussion explores the following questions. Can ‘materialist film’ model traumatic memory and perform the traumatic flashback? Does the capacity to articulate trauma’s un-speakability and invisibility give this practice a renewed relevance in digital media’s preoccupation with surface and the impact of information overload? De Bruyn’s phenomenological ‘traumatic’ reading of materialist film steps beyond Gidal’s original anti-illusionist rationale to incorporate critiques effectively mounted against it by the founders of a ‘70s feminist psychoanalytic counter-cinema. This contemporary re-reading further re-evaluates the Minimalist turn in painting and sculpture after the Second World War, arguing that this development is not essentialist or visionary but makes visible the implicit mechanisms of denial and erasure at the core of traumatic remembering. For de Bruyn, the initial traumatic impact of industrialization on the body’s perceptual apparatus, traceable through the advent of cinema and train travel, is communicated by such moving image art. The development of digital technology marks a new cycle of such perceptual re-balancing for which materialist film is uniquely positioned and which it critically addresses.
Memory and Intermediality in Artists' Moving Image
Memory and Intermediality in Artists' Moving Image - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Memory and Intermediality in Artists' Moving Image write by Sarah Durcan. This book was released on 2021. Memory and Intermediality in Artists' Moving Image available in PDF, EPUB and Kindle. This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
