Messingkauf Dialogues

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Author :
Release : 1977
Genre : Drama
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Book Rating : /5 ( reviews)

Messingkauf Dialogues - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Messingkauf Dialogues write by Bertolt Brecht. This book was released on 1977. Messingkauf Dialogues available in PDF, EPUB and Kindle. Written between 1939-1942 The Messingkauf Dialogues are among the most concise, witty and light-hearted of all Brecht's theoretical discussions of theatre.

The Messingkauf Dialogues

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Author :
Release : 1974
Genre : Drama
Kind :
Book Rating : 702/5 ( reviews)

The Messingkauf Dialogues - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Messingkauf Dialogues write by Bertolt Brecht. This book was released on 1974. The Messingkauf Dialogues available in PDF, EPUB and Kindle.

The Cambridge Companion to Brecht

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Release : 2006-12-21
Genre : Drama
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Book Rating : 731/5 ( reviews)

The Cambridge Companion to Brecht - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Cambridge Companion to Brecht write by Peter Thomson. This book was released on 2006-12-21. The Cambridge Companion to Brecht available in PDF, EPUB and Kindle. This updated Companion offers students crucial guidance on virtually every aspect of the work of this complex and controversial writer. It brings together the contrasting views of major critics and active practitioners, and this edition introduces more voices and themes. The opening essays place Brecht's creative work in its historical and biographical context and are followed by chapters on single texts, from The Threepenny Opera to The Caucasian Chalk Circle, on some early plays and on the Lehrstücke. Other essays analyse Brecht's directing, his poetry, his interest in music and his work with actors. This revised edition also contains additional essays on his early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this provocative overview of a writer who constantly aimed to provoke.

The Drama of Ideas

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Release : 2010-04-14
Genre : Performing Arts
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Book Rating : 243/5 ( reviews)

The Drama of Ideas - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Drama of Ideas write by Martin Puchner. This book was released on 2010-04-14. The Drama of Ideas available in PDF, EPUB and Kindle. Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.

Bertolt Brecht's Dramatic Theory

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Author :
Release : 2004
Genre : Theater
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Book Rating : 764/5 ( reviews)

Bertolt Brecht's Dramatic Theory - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Bertolt Brecht's Dramatic Theory write by John J. White. This book was released on 2004. Bertolt Brecht's Dramatic Theory available in PDF, EPUB and Kindle. In concert with his work as a politically-charged playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts -- Verfremdungseffekte (de-familiarization effects) and epic theater, among others -- were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of "epic" presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Professor of German and Comparative Literature at King's College London.