Monteverdi's Last Operas: A Venetian Trilogy

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Release : 2007-12-03
Genre : Music
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Book Rating : 279/5 ( reviews)

Monteverdi's Last Operas: A Venetian Trilogy - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Monteverdi's Last Operas: A Venetian Trilogy write by Ellen Rosand. This book was released on 2007-12-03. Monteverdi's Last Operas: A Venetian Trilogy available in PDF, EPUB and Kindle. Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

Opera in Seventeenth-Century Venice

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Release : 2007-10-09
Genre : Art
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Book Rating : 260/5 ( reviews)

Opera in Seventeenth-Century Venice - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Opera in Seventeenth-Century Venice write by Ellen Rosand. This book was released on 2007-10-09. Opera in Seventeenth-Century Venice available in PDF, EPUB and Kindle. "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi

The Politics of Princely Entertainment

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Release : 2020
Genre : Biography & Autobiography
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Book Rating : 139/5 ( reviews)

The Politics of Princely Entertainment - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Politics of Princely Entertainment write by Valeria De Lucca. This book was released on 2020. The Politics of Princely Entertainment available in PDF, EPUB and Kindle. ""The Politics of Princely Entertainment explores the transformations in the politics of entertainment of the Italian aristocratic classes during the second half of the seventeenth century, at a time in which profound social and cultural shifts influenced the production and consumption of music in radical ways. The emergence of commercial theaters in the 1630s in Venice and the great appeal that opera began to have on a large and international audience required the aristocracy to take up a new role within the complex network of agents responsible for the production not only of opera but of music in general. The increasing competition between commercial opera theaters, ruling courts, aristocratic families and religious institutions and the consequent professionalization of roles that previously relied solely on patronage meant that singers, poets and composers acquired unprecedented negotiating power. This books explores these questions following the journeys and ventures of two of the most prominent patrons in seventeenth-century Italy, Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. During the thirty years under exam, 1659-1689, the Colonna were the most influential and active agents in the musical life of Rome: they sponsored an unprecedented number of operas, serenatas, oratorios, public ceremonies and carnival parades while supporting the careers of the most prominent composers, librettists, musicians and singers of the time. Following Prince Colonna and his wife through their personal and institutional travels to Venice, Spain, as Viceroyalties of the Kingdom of Aragon, and later Naples, this book traces the journeys not only of scores and librettos, but also of the singers, composers and librettists whose art reached these far away corners of Europe, changing and transforming to serve diverse social and political purposes.""--

The Marqu?s, the Divas, and the Castrati

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Release : 2024-06-14
Genre : Music
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Book Rating : 859/5 ( reviews)

The Marqu?s, the Divas, and the Castrati - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Marqu?s, the Divas, and the Castrati write by Louise K. Stein. This book was released on 2024-06-14. The Marqu?s, the Divas, and the Castrati available in PDF, EPUB and Kindle. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. During a crucial period in opera's development as a genre and as a business, the flamboyantly libertine Spanish aristocrat Gaspar de Haro y Guzm?n (1629-87), Marqu?s de Heliche and del Carpio, influenced operatic practices and productions for both Italian and Hispanic operas. A voracious collector of books and antiquities and famed connoisseur of visual art, the marqu?s financed operas in both Spain and Italy and further shaped them through his ideas, energy, and politics. His legacy also brought forth the first operas of the Americas, as posthumous revivals of the operatic genres he nurtured appeared in the Americas less than fifteen years after his death. In this book, author Louise K. Stein follows the trajectory of this first operatic producer to have shaped opera in two different worlds--Europe and the Americas--and in doing so, advances our musical and historical understanding of seventeenth- and early eighteenth-century opera and cultural encounter. Each chapter focuses on different productions spearheaded by the Marqu?s in Madrid, Rome, and Naples during his lifetime, with the final chapter considering how his influence continued in operatic productions in Lima, Mexico City, and other regions of New Spain after his death. Alongside this portrait of the distinguish patron of the arts, Stein shows how conventions of musical dramaturgy for both private and commercial opera were developed within a consistent politics of production across the far-flung administrative centers of the Spanish empire in the years 1650-1730. She reveals the place of opera within the siglo de oro (Golden Age) of Hispanic theatre and delves deeply into how the Marqu?s became the principal patron of Alessandro Scarlatti in Italy after his time in Rome, sparking a reliable production system for Italian opera in Naples. Stein also addresses gendered performance--how beliefs about female fertility conditioned listeners and shaped the operatic genre--and advances the concept of the "womanly voice" in the first extant Hispanic operas, the Italian operas produced in Naples between 1683 and 1687, and the first operas of the Americas from 1701 to 1730.

Performing Homer: The Voyage of Ulysses from Epic to Opera

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Release : 2019-07-23
Genre : Music
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Book Rating : 419/5 ( reviews)

Performing Homer: The Voyage of Ulysses from Epic to Opera - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Performing Homer: The Voyage of Ulysses from Epic to Opera write by Wendy Heller. This book was released on 2019-07-23. Performing Homer: The Voyage of Ulysses from Epic to Opera available in PDF, EPUB and Kindle. The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources—from Dante, Petrarch, and Ariosto—to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood.