Music between Ontology and Ideology - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music between Ontology and Ideology write by Milena Bozhikova. This book was released on 2020-02-26. Music between Ontology and Ideology available in PDF, EPUB and Kindle. This book focuses on two main topics related to the essence of music, the first of which problematizes the ontological unity of music, philosophy and mathematics. The second concern of the text is the direction of social ontology or the existence of music in the context of ideological debates about style. The book looks at music’s role as part of social ontology, and the part it played in documentarily recreating the post-Stalinism of the late 1950s and 1960s.
Works of Music
Works of Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Works of Music write by Julian Dodd. This book was released on 2007-02-22. Works of Music available in PDF, EPUB and Kindle. In this original and iconoclastic book, Julian Dodd argues for what he terms the simple view of the ontological nature of works of pure, instrumental music. This account is the conjunction of two theses: the type/token theory and sonicism. The type/token theory addresses the question of which ontological category musical works fall under, and its answer is that such works are types whose tokens are sound-sequence-events. Sonicism, meanwhile, addresses the question of how works of music are individuated, and it tells us that works of music are identical just in case they sound exactly alike. Both conjuncts of the simple view are highly controversial, and Dodd defends them vigorously and with ingenuity. Even though the simple view is favoured by very few writers in the philosophy of music, Dodd maintains that it is the default position given our ordinary intuitions about musical works, that it can answer the sorts of objections that have led other philosophers to dismiss it, and that it is, on reflection, the most promising ontology of music on offer. Specifically, Dodd argues that the type/token theory offers the best explanation of the repeatability of works of music: the fact that such works admit of multiple occurrence. Furthermore, he goes on to claim that the theory's most striking consequence - namely, that musical works are eternal existents and, hence, that composers discover rather than create their works - is minimally disruptive of our intuitions concerning the nature of composition and our appreciation of works of music. When it comes to sonicism, Dodd argues both that this way of individuating works of music is prima facie correct, and that the putative counter-examples it faces - most notably, those propounded by Jerrold Levinson - can be harmlessly explained away. In the ontology of music, simplicity rules.
Historical Dictionary of Romantic Music
Historical Dictionary of Romantic Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Historical Dictionary of Romantic Music write by John Michael Cooper. This book was released on 2024-02-12. Historical Dictionary of Romantic Music available in PDF, EPUB and Kindle. Library Journal praises the book as "an excellent one-volume ready reference resource for students, researchers, and others interested in music history." Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.
The Sound of Ontology
The Sound of Ontology - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Sound of Ontology write by Kenneth LaFave. This book was released on 2017-11-15. The Sound of Ontology available in PDF, EPUB and Kindle. The Sound of Ontology: Music as a Model for Metaphysics explores connections between Western art music in the late 19th and early 20th centuries, and the ideas that dominated philosophy leading up to and during that period. In the process of establishing John Cage as Richard Wagner’s heir via Arnold Schoenberg, the author discovers that the old metaphysics of representation is still in charge of how we think about music and about experience in general. Instead of settling for the positivist definition of music as mere sound framed by time, LaFave provides a phenomenology of music that reveals pitch as the ontological counterpart to frequency, and music as a vehicle for understanding how, as Heidegger observed, the Being of “things of value” are invariably grounded in the Being of “things of nature.” Numerous musical examples and a poem by Wallace Stevens illustrate LaFave’s case that hierarchy is intrinsic to this understanding. Alfred North Whitehead’s process philosophy is brought to bear alongside Heidegger’s phenomenological ontology to show that not only music, but reality itself, depends on a play of interlocking hierarchies to effect the nature-value connection, making aesthetics first philosophy.
Of Essence and Context
Of Essence and Context - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Of Essence and Context write by Rūta Stanevičiūtė. This book was released on 2019-06-01. Of Essence and Context available in PDF, EPUB and Kindle. This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.
