Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

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Release : 2019-09-23
Genre : Music
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Book Rating : 430/5 ( reviews)

Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War write by Michael Baumgartner. This book was released on 2019-09-23. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War available in PDF, EPUB and Kindle. In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia.

Music in Films about the Shoah

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Book Rating : 975/5 ( reviews)

Music in Films about the Shoah - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music in Films about the Shoah write by Elias Berner. This book was released on . Music in Films about the Shoah available in PDF, EPUB and Kindle.

Metafilm Music in Jean-Luc Godard's Cinema

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Release : 2022
Genre : Motion picture music
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Book Rating : 157/5 ( reviews)

Metafilm Music in Jean-Luc Godard's Cinema - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Metafilm Music in Jean-Luc Godard's Cinema write by Michael Baumgartner. This book was released on 2022. Metafilm Music in Jean-Luc Godard's Cinema available in PDF, EPUB and Kindle. "This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of metafilm music describes how Godard thinks with film music about film music. Metafilm music manifests itself in Godard's work in four distinct manners: as fragmentized musical cues; as the same fragment verbatim repeated several times; as extrapolated, short excerpts from classical or popular music; and as music mixed unusually loudly into the soundtrack. With a detailed analysis of these parameters, the book explores fragmented and repeated music as Godard's critique of the leitmotif technique. Godard further self-reflexively investigates genre-specific music in musical comedies, films noir, and melodramas, as well as prototypical film music as arguably its own musical genre. His last foray into metafilm music entails music-making as a metaphor for filmmaking. By thinking with music about the function of film music, Godard has created throughout his career multi-layered soundtracks which challenge the conventional norms of film music and sound"--

Film, Music, Memory

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Release : 2019-11-27
Genre : Performing Arts
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Book Rating : 75X/5 ( reviews)

Film, Music, Memory - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Film, Music, Memory write by Berthold Hoeckner. This book was released on 2019-11-27. Film, Music, Memory available in PDF, EPUB and Kindle. Film has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.

Music, Authorship, Narration, and Art Cinema in Europe

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Release : 2022-12-30
Genre : Music
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Book Rating : 317/5 ( reviews)

Music, Authorship, Narration, and Art Cinema in Europe - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music, Authorship, Narration, and Art Cinema in Europe write by Michael Baumgartner. This book was released on 2022-12-30. Music, Authorship, Narration, and Art Cinema in Europe available in PDF, EPUB and Kindle. Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation. Through analyses of music and sound in a wide range of iconic films from across Europe, the essays in this book provide a nuanced reconsideration of three core themes: auteur theory, art house film, and national cinema. Chapters written by an international array of contributors focus on case studies of music in the cinema of Carlos Saura, Jean-Pierre Melville, the Polish School, and Romanian directors, as well as collaborations between directors and composers, including Michelangelo Antonioni and Giovanni Fusco, Federico Fellini and Nino Rota, Leo Arnshtam and Dmitry Shostakovich, and Peter Greenaway and Michael Nyman. The contributors shift the emphasis from a director-centered view to the working relationship between director and composer, and from the visual component to the sonic aspects of these films, without ignoring the close correlation between soundtrack and visual elements. Enriching our understanding of the complex, intertwined nature of authorship in film, the role of film music, and sound, nation-state and art cinema, and European cinematic history, this volume offers a valuable addition to research across music and film studies.