Music in Edwardian London - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music in Edwardian London write by Simon McVeigh. This book was released on 2024-05-21. Music in Edwardian London available in PDF, EPUB and Kindle. Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
Edwardian Popular Music
Edwardian Popular Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Edwardian Popular Music write by Ronald Pearsall. This book was released on 1975. Edwardian Popular Music available in PDF, EPUB and Kindle.
Victorian Popular Music
Victorian Popular Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Victorian Popular Music write by Ronald Pearsall. This book was released on 1973. Victorian Popular Music available in PDF, EPUB and Kindle.
Music and Victorian Liberalism
Music and Victorian Liberalism - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music and Victorian Liberalism write by Sarah Collins. This book was released on 2019-06-06. Music and Victorian Liberalism available in PDF, EPUB and Kindle. Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.
The Music Profession in Britain, 1780-1920
The Music Profession in Britain, 1780-1920 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Music Profession in Britain, 1780-1920 write by Rosemary Golding. This book was released on 2018-03-15. The Music Profession in Britain, 1780-1920 available in PDF, EPUB and Kindle. Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
