Music, Sound and Filmmakers

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Author :
Release : 2012
Genre : Music
Kind :
Book Rating : 943/5 ( reviews)

Music, Sound and Filmmakers - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music, Sound and Filmmakers write by James Eugene Wierzbicki. This book was released on 2012. Music, Sound and Filmmakers available in PDF, EPUB and Kindle. This book is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear.

The Music and Sound of Experimental Film

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Author :
Release : 2017
Genre : Music
Kind :
Book Rating : 897/5 ( reviews)

The Music and Sound of Experimental Film - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Music and Sound of Experimental Film write by Holly Rogers (Professor of music). This book was released on 2017. The Music and Sound of Experimental Film available in PDF, EPUB and Kindle. Holly Rogers is Senior Lecturer in Music at Goldsmiths, University of London. Book jacket.

Music in Cinema

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Author :
Release : 2021-10-12
Genre : Art
Kind :
Book Rating : 858/5 ( reviews)

Music in Cinema - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music in Cinema write by Michel Chion. This book was released on 2021-10-12. Music in Cinema available in PDF, EPUB and Kindle. Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.

Film Rhythm After Sound

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Author :
Release : 2015
Genre : Music
Kind :
Book Rating : 654/5 ( reviews)

Film Rhythm After Sound - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Film Rhythm After Sound write by Lea Jacobs. This book was released on 2015. Film Rhythm After Sound available in PDF, EPUB and Kindle. The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney’s Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian, and the impeccably timed dialogue in Hawks’s films. Jacobs argues that the new range of sound technologies made possible a much tighter synchronization of music, speech, and movement than had been the norm with the live accompaniment of silent films. Filmmakers in the early years of the transition to sound experimented with different technical means of achieving synchronization and employed a variety of formal strategies for creating rhythmically unified scenes and sequences. Music often served as a blueprint for rhythm and pacing, as was the case in mickey mousing, the close integration of music and movement in animation. However, by the mid-1930s, filmmakers had also gained enough control over dialogue recording and editing to utilize dialogue to pace scenes independently of the music track. Jacobs’s highly original study of early sound-film practices provides significant new contributions to the fields of film music and sound studies.

Nonfiction Sound and Story for Film and Video

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Release : 2019-10-04
Genre : Motion pictures
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Book Rating : 085/5 ( reviews)

Nonfiction Sound and Story for Film and Video - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Nonfiction Sound and Story for Film and Video write by Amy DeLouise. This book was released on 2019-10-04. Nonfiction Sound and Story for Film and Video available in PDF, EPUB and Kindle. This book guides nonfiction storytellers in the art of creatively and strategically using sound to engage their audience and bring stories to life. Sound is half of film and video storytelling, and yet its importance is often overlooked until a post-production emergency arises. Written by two experienced creators--one a seasoned nonfiction producer/director with a background in music, and one a sound designer who owns a well-regarded mix studio--this book teaches nonfiction producers, filmmakers, and branded content creators how to reimagine their storytelling by improving sound workflow from field to post. In addition to real-world examples from the authors' own experiences, interviews with and examples from industry professionals across many genres of nonfiction production are included throughout. Written in a conversational style, the book pinpoints practical topics and considerations like 360 video and viewer accessibility. As such, it is a vital point of reference for all nonfiction filmmakers, directors, and producers, or anyone wanting to learn how to improve their storytelling. An accompanying Companion Website offers listening exercises, production sound layout diagrams, templates, and other resources.