Musical Meaning in Beethoven

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Release : 2004-10-20
Genre : Music
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Book Rating : 110/5 ( reviews)

Musical Meaning in Beethoven - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Musical Meaning in Beethoven write by Robert S. Hatten. This book was released on 2004-10-20. Musical Meaning in Beethoven available in PDF, EPUB and Kindle. Award-winning examination of Beethoven's music.

Interpreting Musical Gestures, Topics, and Tropes

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Release : 2017-09-04
Genre : Literary Criticism
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Book Rating : 277/5 ( reviews)

Interpreting Musical Gestures, Topics, and Tropes - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Interpreting Musical Gestures, Topics, and Tropes write by Robert S. Hatten. This book was released on 2017-09-04. Interpreting Musical Gestures, Topics, and Tropes available in PDF, EPUB and Kindle. "Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style. Musical Meaning and Interpretation—Robert S. Hatten, editor

Musical Meaning

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Release : 2021-06-22
Genre : Music
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Book Rating : 978/5 ( reviews)

Musical Meaning - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Musical Meaning write by Lawrence Kramer. This book was released on 2021-06-22. Musical Meaning available in PDF, EPUB and Kindle. Ranging widely over classical music, jazz, popular music, and film and television music, Musical Meaning uncovers the historical importance of asking about meaning in the lived experience of musical works, styles, and performances. Lawrence Kramer has been a pivotal figure in the development of new resources for understanding music. In this accessible and eloquently written book, he argues boldly that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. He demonstrates that thinking about music can become a vital means of thinking about general questions of meaning, subjectivity, and value. First published in 2001, Musical Meaning anticipates many of the musicological topics of today, including race, performance, embodiment, and media. In addition, Kramer explores music itself as a source of understanding via his composition Revenants for piano, revised for this edition and available on the UC Press website.

Music as Philosophy

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Release : 2021-08-31
Genre : Music
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Book Rating : 885/5 ( reviews)

Music as Philosophy - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music as Philosophy write by Michael Spitzer. This book was released on 2021-08-31. Music as Philosophy available in PDF, EPUB and Kindle. Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.

Beethoven and the Construction of Genius

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Author :
Release : 1995
Genre : Biography & Autobiography
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Book Rating : 588/5 ( reviews)

Beethoven and the Construction of Genius - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Beethoven and the Construction of Genius write by Tia DeNora. This book was released on 1995. Beethoven and the Construction of Genius available in PDF, EPUB and Kindle. "It was high time that someone tried to explain more fully, and on the basis of the known documents, the course of Beethoven's meteoric rise to fame in Vienna at the end of the eighteenth century. . . . I would consider this cleverly written and authoritative book to be the most important about Beethoven in twenty-five years. No one considering the subject will be able to overlook DeNora's research."—H.C. Robbins Landon, author of Beethoven: His Life, Work, and World "This is a study with the power to reshape our perceptions of Beethoven's first decade in Vienna and substantially refine our notions of the creation and foundations of Beethoven's career."—William Meredith, Ira Brilliant Center for Beethoven Studies, San Jose State University "Professor DeNora's achievement in placing Beethoven, and the reception of Beethoven's music, in social context is all the more impressive because it goes so much against the grain of conventional habits of thought. In illuminating how changing social institutions created opportunities for Beethoven to gain contemporary and posthumous recognition, and, in so doing, created new forms for thinking and talking about musical achievement—the author at once provides fresh insights into the institutional origins of 'classical' music and offers an exemplary contribution to the sociological study of the arts."—Paul DiMaggio, Princeton University "An important landmark in our understanding of the relationship of the creative musician to society, and a vital contribution to debates about the central phenomenon which distinguishes Western music from other musical traditions: the phenomenon of the Great Composer."—Julian Rushton, University of Leeds "This original book argues that Beethoven's high reputation was created as much by the social-cultural agendas of his aristocratic Viennese patrons in the 1790s as by the qualities of his music. DeNora's persuasive reading of this momentous cultural-artistic event will be welcome to sociologists for its successful contextualization of a hero of 'absolute music,' as well as to musicologists and music-lovers who wish to move beyond the myth of Beethoven as 'the man who freed music.'"—James Webster, Cornell University "Lucid, well-researched, and theoretically informed, Beethoven and the Construction of Genius is one of the best works yet published in the historical sociology of culture. DeNora makes important contributions not only to our knowledge of Beethoven and of the social construction of genius but to the general problems of how identities are created, shaped, and sustained and of how aesthetic claims gain authority."—Craig Calhoun, University of North Carolina