New Chinese Cinemas

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Release : 1994
Genre : History
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Book Rating : 772/5 ( reviews)

New Chinese Cinemas - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook New Chinese Cinemas write by Nick Browne. This book was released on 1994. New Chinese Cinemas available in PDF, EPUB and Kindle. New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles and work that define Chinese filmmaking in the 1980s.

Transnational Chinese Cinemas

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Release : 1997-10-01
Genre : Performing Arts
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Book Rating : 456/5 ( reviews)

Transnational Chinese Cinemas - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Transnational Chinese Cinemas write by Sheldon H. Lu. This book was released on 1997-10-01. Transnational Chinese Cinemas available in PDF, EPUB and Kindle. Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Close-ups and Long Shots in Modern Chinese Cinemas

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Release : 2020-10-31
Genre : Art
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Book Rating : 678/5 ( reviews)

Close-ups and Long Shots in Modern Chinese Cinemas - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Close-ups and Long Shots in Modern Chinese Cinemas write by Hsiu-Chuang Deppman. This book was released on 2020-10-31. Close-ups and Long Shots in Modern Chinese Cinemas available in PDF, EPUB and Kindle. Two of the most stylized shots in cinema—the close-up and the long shot—embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces our faith in reality. Each configures the relation between image and distance that expands the viewer’s power to see, feel, and conceive. To understand why a director prefers one type of shot over the other then is to explore more than aesthetics: It uncovers significant assumptions about film as an art of intervention or organic representation. Close-ups and Long Shots in Modern Chinese Cinemas is the first book to compare these two shots within the cultural, historical, and cinematic traditions that produced them. In particular, the global revival of Confucian studies and the transnational appeal of feminism in the 1980s marked a new turn in the composite cultural education of Chinese directors whose shot selections can be seen as not only stylistic expressions, but ethical choices responding to established norms about self-restraint, ritualism, propriety, and female agency. Each of the films discussed—Zhang Yimou’s Red Sorghum, Ang Lee’s Lust, Caution, Hou Hsiao-hsien’s The Assassin, Jia Zhangke’s I Wish I Knew, and Wei Desheng’s Cape No. 7— represents a watershed in Chinese cinemas that redefines the evolving relations among film, politics, and ethics. Together these works provide a comprehensive picture of how directors contextualize close-ups and long shots in ways that make them interpretable across many films as bellwethers of social change.

Chinese National Cinema

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Release : 2004-08-02
Genre : Education
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Book Rating : 878/5 ( reviews)

Chinese National Cinema - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Chinese National Cinema write by Yingjin Zhang. This book was released on 2004-08-02. Chinese National Cinema available in PDF, EPUB and Kindle. Chinese National Cinema, written for students by a leading scholar, traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years.

Chinese Cinemas in Translation and Dissemination

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Release : 2021-11-29
Genre : Art
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Book Rating : 790/5 ( reviews)

Chinese Cinemas in Translation and Dissemination - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Chinese Cinemas in Translation and Dissemination write by Haina Jin. This book was released on 2021-11-29. Chinese Cinemas in Translation and Dissemination available in PDF, EPUB and Kindle. Ever since film was brought into China at the end of the nineteenth century, translation has conquered language, ideological and cultural barriers and facilitated the dissemination of films in China. Offering fresh visions and innovative studies on various important issues, including mistranslation, the dubbing of Hong Kong kung fu films, the dubbing of foreign films in China, the subtitling of Chinese dialect films, the subtitling of independent Chinese documentaries, and a vivid personal account of the translation and distribution of Chinese cinemas in France, this book aims to generate international dialogue by presenting diverse approaches to the translation and dissemination of Chinese cinemas. This book builds on previous research and further expands the horizons of the subfield, with the hope that this intervention will suggest new possibilities and territories for the study of the translation of Chinese cinemas. Translated foreign films have become an integral part of Chinese cinemas and translated Chinese films have in turn enriched the concept of world cinema. In many ways, it is a timely publication in the context of the globalization of the film industry - as Chinese films increasingly go global. The chapters in this book were originally published as a special issue of the Journal of Chinese Cinemas.