New Oxford History of Music: pt. 1. Music as concept and practice in the late Middle Ages - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook New Oxford History of Music: pt. 1. Music as concept and practice in the late Middle Ages write by Reinhard Strohm. This book was released on 1990. New Oxford History of Music: pt. 1. Music as concept and practice in the late Middle Ages available in PDF, EPUB and Kindle.
Music as Concept and Practice in the Late Middle Ages
Music as Concept and Practice in the Late Middle Ages - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music as Concept and Practice in the Late Middle Ages write by Reinhard Strohm. This book was released on 2001. Music as Concept and Practice in the Late Middle Ages available in PDF, EPUB and Kindle. This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
New Oxford History of Music: pt. 1. Music as concept and practice in the late Middle Ages
New Oxford History of Music: pt. 1. Music as concept and practice in the late Middle Ages - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook New Oxford History of Music: pt. 1. Music as concept and practice in the late Middle Ages write by . This book was released on 1990. New Oxford History of Music: pt. 1. Music as concept and practice in the late Middle Ages available in PDF, EPUB and Kindle.
The Cambridge History of Musical Performance
The Cambridge History of Musical Performance - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Cambridge History of Musical Performance write by Colin Lawson. This book was released on 2012-02-16. The Cambridge History of Musical Performance available in PDF, EPUB and Kindle. The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
The Sounds and Sights of Performance in Early Music
The Sounds and Sights of Performance in Early Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Sounds and Sights of Performance in Early Music write by Maureen Epp. This book was released on 2017-07-05. The Sounds and Sights of Performance in Early Music available in PDF, EPUB and Kindle. The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
