Opera As Drama

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Release : 2013-08-21
Genre : Music
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Book Rating : 00X/5 ( reviews)

Opera As Drama - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Opera As Drama write by Joseph Kerman. This book was released on 2013-08-21. Opera As Drama available in PDF, EPUB and Kindle. Passionate, witty, and brilliant, Opera as Drama has been lauded as one of the most controversial, thought-provoking, and entertaining works of operatic criticism ever written. First published in 1956 and revised in 1988, Opera as Drama continues to be indispensable reading for all students and lovers of opera.

Opera as Drama

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Release : 2005-12-14
Genre : Art
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Book Rating : 928/5 ( reviews)

Opera as Drama - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Opera as Drama write by Joseph Kerman. This book was released on 2005-12-14. Opera as Drama available in PDF, EPUB and Kindle. Focusing on operatic criticism, this work is of interest to students and lovers of opera.

Opera and Drama

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Release : 1995-01-01
Genre : Music
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Book Rating : 654/5 ( reviews)

Opera and Drama - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Opera and Drama write by Richard Wagner. This book was released on 1995-01-01. Opera and Drama available in PDF, EPUB and Kindle. With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.

Storytelling in Opera and Musical Theater

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Release : 2020-10-06
Genre : Music
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Book Rating : 989/5 ( reviews)

Storytelling in Opera and Musical Theater - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Storytelling in Opera and Musical Theater write by Nina Penner. This book was released on 2020-10-06. Storytelling in Opera and Musical Theater available in PDF, EPUB and Kindle. Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.

Opera and the Morbidity of Music

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Release : 2008-04-08
Genre : Music
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Book Rating : 655/5 ( reviews)

Opera and the Morbidity of Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Opera and the Morbidity of Music write by Joseph Kerman. This book was released on 2008-04-08. Opera and the Morbidity of Music available in PDF, EPUB and Kindle. The death of classical music, the distinguished critic and musicologist Joseph Kerman declares, is “a tired, vacuous concept that will not die.” In this wide-ranging collection of essays and reviews, Kerman examines the ongoing vitality of the classical music tradition, from the days of Guillaume Dufay, John Taverner, and William Byrd to contemporary operas by Philip Glass and John Adams. Here are enlightening investigations of the lives and works of the greatest composers: Bach and his Well-Tempered Clavier, Mozart’s and Beethoven’s piano concertos, Schubert’s songs, Wagner’s and Verdi’s operas. Kerman discusses The Magic Flute as well as productions of the Monteverdi operas in Brooklyn and the Ring in San Francisco and Bayreuth. He also includes remembrances of Maria Callas and Carlos Kleiber that make clear why they were such extraordinary musicians. Kerman argues that predictions—let alone assumptions—of the death of classical music are not a new development but part of a cultural transformation that has long been with us. Always alert to the significance of historical changes, from the invention of music notation to the advent of recording, he proposes that the place to look for renewal of the classical music tradition in America today is in opera—in a flood of new works, the rediscovery of long-forgotten ones, and innovative productions by companies large and small. Written for a general audience rather than for experts, Kerman’s essays invite readers to listen afresh and to engage with his insights into how music works. “His gift is so uncommon as to make one sad,” Alex Ross has said.