Oral and Written Transmission in Chant - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Oral and Written Transmission in Chant write by . This book was released on 2023. Oral and Written Transmission in Chant available in PDF, EPUB and Kindle. The writing down of music is one of the triumphant technologies of the West. Without writing, the performance of music involves some combination of memory and improvisation. Isidore of Seville famously wrote that unless sounds are remembered by man, they perish, for they cannot be written down. This volume deals with the materials of chant from the point of view of transmission. The early history of chant is a history of orality, of transmission by mouth to ear, and yet we can study it only through the use of written documents. Scholars of medieval music have taken up the ideas and techniques of scholars of folklore, of oral transmission, of ethnomusicology; for the chant is, in fact, an ancient music transmitted for a time in oral culture; and we study a culture not our own, whose informants are not people but manuscripts. All depends, ironically, on deducing oral issues from written documents.
Music in Medieval Europe
Music in Medieval Europe - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music in Medieval Europe write by Thomas Forrest Kelly. This book was released on 2009. Music in Medieval Europe available in PDF, EPUB and Kindle.
Oral and Written Transmission in Chant
Oral and Written Transmission in Chant - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Oral and Written Transmission in Chant write by Thomas Forrest Kelly. This book was released on 2023-01-30. Oral and Written Transmission in Chant available in PDF, EPUB and Kindle. The writing down of music is one of the triumphant technologies of the West. Without writing, the performance of music involves some combination of memory and improvisation. Isidore of Seville famously wrote that unless sounds are remembered by man, they perish, for they cannot be written down. This volume deals with the materials of chant from the point of view of transmission. The early history of chant is a history of orality, of transmission by mouth to ear, and yet we can study it only through the use of written documents. Scholars of medieval music have taken up the ideas and techniques of scholars of folklore, of oral transmission, of ethnomusicology; for the chant is, in fact, an ancient music transmitted for a time in oral culture; and we study a culture not our own, whose informants are not people but manuscripts. All depends, ironically, on deducing oral issues from written documents.
The Echoi of Modern Greek Church Chant in Written and Oral Transmission
The Echoi of Modern Greek Church Chant in Written and Oral Transmission - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Echoi of Modern Greek Church Chant in Written and Oral Transmission write by Panayotis Mavromatis. This book was released on 2005. The Echoi of Modern Greek Church Chant in Written and Oral Transmission available in PDF, EPUB and Kindle.
Re-Envisioning Past Musical Cultures
Re-Envisioning Past Musical Cultures - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Re-Envisioning Past Musical Cultures write by Peter Jeffery. This book was released on 1992. Re-Envisioning Past Musical Cultures available in PDF, EPUB and Kindle. Studying Gregorian chant presents many problems to the researcher because its most important stages of development were not recorded in writing. From the sixth to the tenth century, this form of music existed only in song as medieval musicians relied on their memories and voices to pass each verse from one generation to the next. Peter Jeffery offers an innovative new approach for understanding how these melodies were created, memorized, performed, and modified. Drawing on a variety of disciplines, including anthropology and ethnomusicology, he identifies characteristics of Gregorian chant that closely resemble other oral traditions in non-Western cultures and demonstrates ways music historians can take into account the social, cultural, and anthropological contexts of chant's development.
