Readings in the History of Music in Performance - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Readings in the History of Music in Performance write by Carol MacClintock. This book was released on 1979. Readings in the History of Music in Performance available in PDF, EPUB and Kindle. ..". extremely useful... In MacClintock's selections, even when the source is primarily theoretical, she chooses passages that give a lively insight into actual music-making."A -- Continuo Readings on the performance of Western music from the late middle ages to the early nineteenth century describe the accepted conventions and actual practices of former times.
The Cambridge History of Musical Performance
The Cambridge History of Musical Performance - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Cambridge History of Musical Performance write by Colin Lawson. This book was released on 2012-02-16. The Cambridge History of Musical Performance available in PDF, EPUB and Kindle. The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Source Readings in Music History
Source Readings in Music History - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Source Readings in Music History write by William Oliver Strunk. This book was released on 1981. Source Readings in Music History available in PDF, EPUB and Kindle.
Source Readings in Music History
Source Readings in Music History - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Source Readings in Music History write by . This book was released on 1950. Source Readings in Music History available in PDF, EPUB and Kindle.
A Complete History of Music for Schools, Clubs, and Private Readings
A Complete History of Music for Schools, Clubs, and Private Readings - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook A Complete History of Music for Schools, Clubs, and Private Readings write by Winton James Baltzell. This book was released on 2020-09-28. A Complete History of Music for Schools, Clubs, and Private Readings available in PDF, EPUB and Kindle. When we think of Music we have in mind an organization of musical sounds into something definite, something by design, not by chance, the product of the working of the human mind with musical sounds and their effects upon the human sensibilities. So long as man accepted the various phenomena of musical sounds as isolated facts, there could be no art. But when he began to use them to minister to his pleasure and to study them and their effects, he began to form an art of music. The story of music is the record of a series of attempts on the part of man to make artistic use of the material which the ear accepts as capable of affording pleasure and as useful in expressing the innermost feelings. The raw material of music consists of the sounds considered musical, the human voice, various musical instruments and the use of this material in such ways as to affect the human sensibilities; that is, to make an impression upon the hearer which shall coincide with that of the original maker of the music who gives to his feelings expression in music. We find in music, as in other branches, that man tries to reduce phenomena to order and to definite form. The mass of musical material is vague, incoherent, disorganized. Man seeks to devise ways to use it intelligibly, and to promote esthetic pleasure. If musical sounds are to be combined simultaneously or successively, this combination should be in accordance with design, not haphazard, just as the builder of the house or the temple puts together his material according to a regular plan. Those who have been leaders in the Art of Music have labored in two ways: to extend the limits of expression in music, and to find the means to contain that expression. At one period stress is laid on making music expressive, at another on the medium for conveying expression to others, the latter being comprehended in the term Form. In connection with this statement, the student will do well to remember that every period of great intellectual activity, social or political, reacted upon music and the other arts; to illustrate, we need but refer to the formal, even artificial character of the music of the period preceding the French Revolution and the freedom and vigor imparted by the spirit of Romanticism which followed in the wake of that great political movement, a difference strikingly illustrated in the music of Haydn and Beethoven, Clementi and Schumann. There is also a constant action and reaction of the various racial streams of power such as the Aryan on the Semitic, East upon the West, Latin upon the Teuton, Folk-music upon the Scholastic.
