Rhythm, Illusion and the Poetic Idea: Baudelaire, Rimbaud, Mallarmé - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Rhythm, Illusion and the Poetic Idea: Baudelaire, Rimbaud, Mallarmé write by David Evans. This book was released on 2004-01-01. Rhythm, Illusion and the Poetic Idea: Baudelaire, Rimbaud, Mallarmé available in PDF, EPUB and Kindle. Rhythm, Illusion and the Poetic Idea explores the concept of rhythm and its central yet problematic role in defining modern French poetry. Forging innovative lines of inquiry linking the detailed analysis of poetic form to the evolution of fundamental aesthetic principles, David Evans offers extensive new readings of the literary and critical writings of the three major poets at the centre of France’s most important poetic revolution. The volume is of interest to all students and readers of Baudelaire, Rimbaud and Mallarmé, since here is presented for the first time a thorough comparative study of developments in each writer’s poetic form and theory, focusing on the themes of illusion, deception and the musical metaphor. The book is also intended to stimulate wider critical debate on the interpretation of metrical verse, prose poetry and vers libre, and offers original analytical methods which facilitate the study of poetic form. The author proposes a radical shift in our understanding of the role and mechanisms of poetic rhythm, suggesting that its very resistance to definition and fixity provides a conveniently opaque veil over the difficulties of defining poetry in the nineteenth and twentieth centuries.
Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé
Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé write by David Elwyn Evans. This book was released on 2003. Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé available in PDF, EPUB and Kindle.
Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé
Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé write by David Elwyn Evans. This book was released on 2002. Rhythm, Illusion and the Poetic Idea Baudelaire, Rimbaud, Mallarmé available in PDF, EPUB and Kindle.
Baudelaire in Song
Baudelaire in Song - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Baudelaire in Song write by Helen Abbott. This book was released on 2017-11-03. Baudelaire in Song available in PDF, EPUB and Kindle. Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, métricométrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model. The assemblage model has two key stages of analysis. The first stage examines the bonds formed between the multiple layers that make up a song setting (including metre/prosody, form/structure, sound repetition, semantics, and live performance options). The second stage considers the overall outcome of each song in terms of the intensity or stability of the words and music present in a song (accretion/dilution). Taking the work of the major nineteenth-century French poet Charles Baudelaire (1821-67) as its main impetus, the volume examines how Baudelaire's poetry has inspired composers of all genres across the globe, from the 1860s to the present day. The case studies focus on Baudelaire song sets by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, it tests out the assemblage model to uncover what happens to Baudelaire's poetry when it is set to music. It factors in the realities of song as a live performance genre, and reveals which parameters of song emerge as standard for French text-setting, and where composers diverge in their approach.
Poetry, Politics, and the Body in Rimbaud
Poetry, Politics, and the Body in Rimbaud - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Poetry, Politics, and the Body in Rimbaud write by Robert St. Clair. This book was released on 2018-08-30. Poetry, Politics, and the Body in Rimbaud available in PDF, EPUB and Kindle. Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is: What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to last–from the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching one's legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appears–often literally–as a kind of gap, breach, or aperture through which Rimbaud's poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged 'lyrical material' for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, 'real' socio-economic, political, and symbolic problems. Rimbaud's bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.
