Slash - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Slash write by . This book was released on 2019. Slash available in PDF, EPUB and Kindle.
Slash Guitar Anthology
Slash Guitar Anthology - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Slash Guitar Anthology write by Slash. This book was released on 2014-06-01. Slash Guitar Anthology available in PDF, EPUB and Kindle. (Guitar Recorded Versions). Over 20 songs in accurate notes and tab from the hard rocker's various projects: Anastasia * Beggars and Hangers On * Civil War * Dirty Little Thing * The Godfather (Love Theme) * Mr. Brownstone * November Rain * Paradise City * Patience * Slither * Sweet Child O' Mine * Used to Love Her * Welcome to the Jungle * and more.
Slash
Slash - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Slash write by J. C. Gabel. This book was released on 2016. Slash available in PDF, EPUB and Kindle. The legendary punk and new wave alternative weekly magazine Slashwas founded in Los Angeles in 1977 by Steve Samiof, and published a total of 29 print issues before its demise in 1980 (though it had a second life as the punk label Slash Records, which was eventually bought by Warner Bros. Records in 1999). In its brief run, Slashdefined the punk subculture in Los Angeles and beyond with the comic strip Jimboby Gary Panter and photographs by Melanie Nissen, the cofounding publisher and longtime photo editor. Writing by Jeffrey Lee Pierce, Chris D., Pleasant Gehman and Claude “Kickboy Face” Bessy explored reggae, blues and rockabilly in addition to punk and new wave. Slashdiagnosed the nascent punk scene’s challenge to the music industry and established its own oppositional voice in the editorial of its very first issue, staking a position against disco, Elvis and concept albums, and declaring: “Enough is enough, partner! About time we squeezed the pus out and sent the filthy rich old farts of rock ’n’ roll to retirement homes in Florida where they belong.” Slash: A Punk Magazine From Los Angeles, 1977–80pays homage to the magazine’s legacy with facsimile reproductions of every cover from the publication’s run and reprints of some of the magazine’s best articles and interviews. These are interspersed with new essays, reportage and oral histories from Exene Cervenka, KK Barrett, Gary Panter, Vivien Goldman, Richard Meltzer, Cali Thornhill DeWitt, Chris D., Bryan Ray Turcotte, Chris Morris, Ann Summa and Allan MacDowell, among others, telling the story of this critical chapter in the history of American media.
Hack Slash
Hack Slash - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Hack Slash write by Tim Seeley. This book was released on 2011-02. Hack Slash available in PDF, EPUB and Kindle.
Punk Slash! Musicals
Punk Slash! Musicals - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Punk Slash! Musicals write by David Laderman. This book was released on 2010-03-01. Punk Slash! Musicals available in PDF, EPUB and Kindle. Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.
