The Italian Opera Singers in Mozart's Vienna - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Italian Opera Singers in Mozart's Vienna write by Dorothea Link. This book was released on 2022-11-22. The Italian Opera Singers in Mozart's Vienna available in PDF, EPUB and Kindle. Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.
The Italian Opera Singers in Mozart's Vienna
The Italian Opera Singers in Mozart's Vienna - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Italian Opera Singers in Mozart's Vienna write by Dorothea Link. This book was released on 2022. The Italian Opera Singers in Mozart's Vienna available in PDF, EPUB and Kindle. Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.
Mozart's Operas
Mozart's Operas - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Mozart's Operas write by Daniel Heartz. This book was released on 1990. Mozart's Operas available in PDF, EPUB and Kindle. Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
Antonio Salieri and Viennese Opera
Antonio Salieri and Viennese Opera - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Antonio Salieri and Viennese Opera write by John A. Rice. This book was released on 1998. Antonio Salieri and Viennese Opera available in PDF, EPUB and Kindle. Publisher Description
The Culture of Opera Buffa in Mozart's Vienna
The Culture of Opera Buffa in Mozart's Vienna - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Culture of Opera Buffa in Mozart's Vienna write by Mary Hunter. This book was released on 1999-04-12. The Culture of Opera Buffa in Mozart's Vienna available in PDF, EPUB and Kindle. Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.
