The (Mis?)-Representation of Women in Shakespeare's Comedies - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The (Mis?)-Representation of Women in Shakespeare's Comedies write by Natascha Haas. This book was released on 2004-07-18. The (Mis?)-Representation of Women in Shakespeare's Comedies available in PDF, EPUB and Kindle. Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,5 (A), University of Heidelberg (Anglistics), course: Proseminar II: 'Comedies in Shakespeare's Time', language: English, abstract: Compared to other writers of his time, Shakespeare introduced an extraordinary amount of deep female characters in his plays. Because Shakespeare lived in a time when men played the major part in society and the role of women was basically limited to the household, one could easily come to the opinion that he was a reformer whose views were ahead of the Elizabethan times 1 . But is this really true? Does Shakespeare criticize the society he lives in by creating these characters, or do they just serve their purpose to make the plays more dramatic? In this paper, I will first give an overview of the role of women in the Elizabethan age and society. After that I will analyse the female characters of three plays we discussed in the course in order to find out if Shakespeare’s views on women diverged from the general view of his time.
The Positive Portrayal of Women in Shakespeare's Comedies
The Positive Portrayal of Women in Shakespeare's Comedies - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Positive Portrayal of Women in Shakespeare's Comedies write by Keely Ariana Ellis 1980. This book was released on 2002. The Positive Portrayal of Women in Shakespeare's Comedies available in PDF, EPUB and Kindle.
Screening Gender in Shakespeare's Comedies
Screening Gender in Shakespeare's Comedies - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Screening Gender in Shakespeare's Comedies write by Magdalena Cieslak. This book was released on 2019-04-19. Screening Gender in Shakespeare's Comedies available in PDF, EPUB and Kindle. When adapting Shakespeare's comedies, cinema and television have to address the differences and incompatibilities between early modern gender constructs and contemporary cultural, social, and political contexts. Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in the Twenty-First Century analyzes methods employed by cinema and television in approaching those aspects of Shakespeare's comedies, indicating a range of ways in which adaptations made in the twenty-first century approach the problems of cultural and social normativity, gender politics, stereotypes of femininity and masculinity, the dynamic of power relations between men and women, and social roles of men and women. This book discusses both mainstream cinematic productions, such as Michael Radford's The Merchant of Venice or Julie Taymor's The Tempest, and more low-key adaptations, such as Kenneth Branagh's As You Like It and Joss Whedon's Much Ado About Nothing, as well as the three comedies of BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming of the Shrew, and A Midsummer Night's Dream. This book examines how the analyzed films deal with elements of Shakespeare's comedies that appear subversive, challenging, or offensive to today's culture, and how they interpret or update gender issues to reconcile Shakespeare with contemporary cultural norms. By exploring tensions and negotiations between early modern and present-day gender politics, the book defines the prevailing attitudes of recent adaptations in relation to those issues, and identifies the most popular strategies of accommodating early modern constructs for contemporary audiences.
Happy Endings in Shakespeare’s Comedies from a Feminist Point of View
Happy Endings in Shakespeare’s Comedies from a Feminist Point of View - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Happy Endings in Shakespeare’s Comedies from a Feminist Point of View write by Leanne Harper. This book was released on 2012-10-25. Happy Endings in Shakespeare’s Comedies from a Feminist Point of View available in PDF, EPUB and Kindle. Essay from the year 2011 in the subject English Language and Literature Studies - Literature, grade: B, King`s College London, language: English, abstract: This essay explores the controversial endings of the following plays: The Taming of the Shrew A midsummer Night’s Dream The Merchant of Venice. Paying particular attention to the language in the last scenes and Shakespeare's enigmatic representation of the female characters with regards to gender roles.
Young Women in Shakespeare's Comedies
Young Women in Shakespeare's Comedies - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Young Women in Shakespeare's Comedies write by Theo Tebbe. This book was released on 2008-09. Young Women in Shakespeare's Comedies available in PDF, EPUB and Kindle. Bachelor Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Osnabr ck, 26 entries in the bibliography, language: English, abstract: Compared to other writers of his time, Shakespeare introduces an unusual amount of deep female characters in his comedies. His representation of women, in particular the ways in which his female roles are interpreted and put on stage, have become topics of scientific interest. Especially the young women often show vitality, great intelligence, and a strong sense of personal independence, which marks them as "queen s] of comedy" (Palmer 72). Therefore, they are often referred to as Shakespeare's heroines. In the following, I want to show their importance and point out that each heroine, although they all share character traits, has distinct and unique qualities. In doing so, I will occasionally refer to a secondary literature and involve positions of different critics. Though, my attention will be focussed on the plays treated in this research paper: A Midsummer Night's Dream, As You Like It, Much Ado About Nothing, The Tempest, and Twelfth Night. On the basis of these romantic comedies, I will analyse how the young women are presented and subsequently compare them among one another. In the first part I will look at each heroine individually and introduce their plays. Then I will develop possible similarities between them: Beautiful but unworldly Miranda seems to be totally controlled by her father Prospero, but she shows a strong will in planning a shared future with Ferdinand and she is aware of her superiority to the savage Caliban. Hermia's father similarly chooses her husband. With magic help, however, she and Helena manage to come together with the right partner. Moreover, Helena reveals that she believes in the transformative power of love (MND I.2, 233-4). Viola in Twelfth Night is in a way almost the opposite of Rosalind in As You Like It, although both plays
