The Performance of Trauma in Moving Image Art - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Performance of Trauma in Moving Image Art write by Dirk Cornelis de Bruyn. This book was released on 2014-10-02. The Performance of Trauma in Moving Image Art available in PDF, EPUB and Kindle. With reference to recent neurological research into Post-Traumatic Stress Disorder (PTSD) using new imaging technologies and models of implicit and explicit memory systems developed from this research, The Performance of Trauma in Moving Image Art examines the capacity of an artist’s cinema of experimental and avant-garde film to perform and communicate traumatic experience. De Bruyn analyses key films from the 1940s to the present that perform aspects of overwhelming experience through their approach, structure, content and perceptual impact, mapping a trajectory from analogue to contemporary digital moving image practice. He argues for the inclusion of Peter Gidal’s 1970s conception of ‘materialist film’ into the genre of ‘trauma cinema’ through its capacity to articulate un-locatability and perceptually perform dis-orientation and a flashback effect, all further identified here as key characteristics of digital moving image practice. The discussion explores the following questions. Can ‘materialist film’ model traumatic memory and perform the traumatic flashback? Does the capacity to articulate trauma’s un-speakability and invisibility give this practice a renewed relevance in digital media’s preoccupation with surface and the impact of information overload? De Bruyn’s phenomenological ‘traumatic’ reading of materialist film steps beyond Gidal’s original anti-illusionist rationale to incorporate critiques effectively mounted against it by the founders of a ‘70s feminist psychoanalytic counter-cinema. This contemporary re-reading further re-evaluates the Minimalist turn in painting and sculpture after the Second World War, arguing that this development is not essentialist or visionary but makes visible the implicit mechanisms of denial and erasure at the core of traumatic remembering. For de Bruyn, the initial traumatic impact of industrialization on the body’s perceptual apparatus, traceable through the advent of cinema and train travel, is communicated by such moving image art. The development of digital technology marks a new cycle of such perceptual re-balancing for which materialist film is uniquely positioned and which it critically addresses.
Traumatic Imprints: Performance, Art, Literature and Theoretical Practice
Traumatic Imprints: Performance, Art, Literature and Theoretical Practice - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Traumatic Imprints: Performance, Art, Literature and Theoretical Practice write by . This book was released on 2020-09-25. Traumatic Imprints: Performance, Art, Literature and Theoretical Practice available in PDF, EPUB and Kindle. This ebook presents conference proceedings from the 1st Global Conference Trauma: theory and practice, held in Prague, Czech Republic in March 2011.
The Palgrave Handbook of Experimental Cinema
The Palgrave Handbook of Experimental Cinema - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Palgrave Handbook of Experimental Cinema write by Kim Knowles. This book was released on . The Palgrave Handbook of Experimental Cinema available in PDF, EPUB and Kindle.
Experimental Film and Photochemical Practices
Experimental Film and Photochemical Practices - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Experimental Film and Photochemical Practices write by Kim Knowles. This book was released on 2020-09-29. Experimental Film and Photochemical Practices available in PDF, EPUB and Kindle. This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology.
Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War
Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War write by Michael Baumgartner. This book was released on 2019-09-23. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War available in PDF, EPUB and Kindle. In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia.
