The Piano in Nineteenth-century British Culture - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Piano in Nineteenth-century British Culture write by Therese Marie Ellsworth. This book was released on 2007-01-01. The Piano in Nineteenth-century British Culture available in PDF, EPUB and Kindle. The publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, launched a proliferation of research on music for the piano during the late eighteenth and nineteenth centuries. It also expanded research into the developments of musical life in London--for a time the centre of piano manufacturing, publishing and performance. However, nothing has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring.
The Piano in Nineteenth-Century British Culture
The Piano in Nineteenth-Century British Culture - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Piano in Nineteenth-Century British Culture write by Susan Wollenberg. This book was released on 2017-09-29. The Piano in Nineteenth-Century British Culture available in PDF, EPUB and Kindle. Since the publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, research has proliferated in the area of music for the piano during the late eighteenth and nineteenth centuries and into developments in the musical life of London, for a time the centre of piano manufacturing, publishing and performance. But none has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring. Topics covered include: the piano trade and how piano manufacturing affected a major provincial town; the reception of Bach's Well-Tempered Clavier and Clementi's Gradus ad Parnassum during the nineteenth century; the shift from composer-pianists to pianist-interpreters in the first half of the century that triggered crucial changes in piano performance and concert structure; the growth of musical life in the peripheries outside major musical centres; the pianist as advocate for contemporary composers as well as for historical repertory; the status of British pianists both in relation to foreigners on tour in Britain and as welcomed star performers in outposts of the Empire; marketing forces that had an impact on piano sales, concerts and piano careers; leading virtuosos, writers and critics; the important role played by women pianists and the development of the recording industry, bringing the volume into the early twentieth century.
Music and Performance Culture in Nineteenth-Century Britain
Music and Performance Culture in Nineteenth-Century Britain - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Music and Performance Culture in Nineteenth-Century Britain write by Bennett Zon. This book was released on 2016-04-29. Music and Performance Culture in Nineteenth-Century Britain available in PDF, EPUB and Kindle. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.
Europe, Empire, and Spectacle in Nineteenth-Century British Music
Europe, Empire, and Spectacle in Nineteenth-Century British Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Europe, Empire, and Spectacle in Nineteenth-Century British Music write by Julian Rushton. This book was released on 2017-07-05. Europe, Empire, and Spectacle in Nineteenth-Century British Music available in PDF, EPUB and Kindle. This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.
The Musical Life of Nineteenth-Century Belfast
The Musical Life of Nineteenth-Century Belfast - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Musical Life of Nineteenth-Century Belfast write by Roy Johnston. This book was released on 2017-07-05. The Musical Life of Nineteenth-Century Belfast available in PDF, EPUB and Kindle. Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast?s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast?s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast?s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
