The Politics of Songs in Eighteenth-Century Britain, 1723–1795 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Politics of Songs in Eighteenth-Century Britain, 1723–1795 write by Kate Horgan. This book was released on 2015-10-06. The Politics of Songs in Eighteenth-Century Britain, 1723–1795 available in PDF, EPUB and Kindle. Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.
The Politics of Songs in Eighteenth-century Britain, 1723-1795
The Politics of Songs in Eighteenth-century Britain, 1723-1795 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Politics of Songs in Eighteenth-century Britain, 1723-1795 write by Kate Horgan. This book was released on 2016. The Politics of Songs in Eighteenth-century Britain, 1723-1795 available in PDF, EPUB and Kindle. "Analyzes the importance of songs in British eighteenth-century culture with specific references to their political meaning"--Back cover.
Singing to the King
Singing to the King - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Singing to the King write by Kate Horgan. This book was released on 2012. Singing to the King available in PDF, EPUB and Kindle. This study analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Traditionally marginalized in accounts of the ballad and the role of the ballad in literary culture, the political song will be situated as a multivalent phenomenon. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history and deploying a neoPlatonic framework which highlights the utilitarian power of songs, the argument is focused on four major case-studies, covering the period 1723-1795. Its organizing theme derives from the story of the rescue of King Richard the Lionheart from imprisonment by the singing of his minstrel Blondel, which emerges in eighteenthcentury ballad and music scholarship, and again in the context of the French Revolution. The thesis traces the various manifestations of this theme as a way of establishing the interconnections between topical songs, political songs, classical songs, hymns, psalms and ballads as way of illustrating the complexity of political song culture in this period.
The Politics of Songs in Eighteenth-Century Britain, 1723–1795
The Politics of Songs in Eighteenth-Century Britain, 1723–1795 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Politics of Songs in Eighteenth-Century Britain, 1723–1795 write by Kate Horgan. This book was released on 2015-10-06. The Politics of Songs in Eighteenth-Century Britain, 1723–1795 available in PDF, EPUB and Kindle. Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.
Scripture and Song in Nineteenth-Century Britain
Scripture and Song in Nineteenth-Century Britain - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Scripture and Song in Nineteenth-Century Britain write by James Grande. This book was released on 2023-11-16. Scripture and Song in Nineteenth-Century Britain available in PDF, EPUB and Kindle. This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
