The Strasbourg Cantiones of 1539: Protestant City, Catholic Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Strasbourg Cantiones of 1539: Protestant City, Catholic Music write by Daniel Trocmé-Latter. This book was released on 2023-05-23. The Strasbourg Cantiones of 1539: Protestant City, Catholic Music available in PDF, EPUB and Kindle. Schöffer's Cantiones tell a fascinating story of South-North, Catholic-Protestant co-operation. The Cantiones quinque vocum selectissimæ (Strasbourg: Peter Schöffer the Younger, 1539) are a collection of 28 Latin five-voice motets by composers including Gombert, Willaert, and Jacquet of Mantua. This was Schöffer's first book of Latin motets as well as his last ever musical publication; he was granted an imperial privilege to print it by King Ferdinand I. The pieces had been sent to Schöffer by Hermann Matthias Werrecore, the choirmaster of the Duomo of Milan. However, this was at a time when no liturgical Latin choral singing took place in Strasbourg, following one of the harshest reformations - musically-speaking - across Europe. This book comprises a critical study of the anthology in terms of the circumstances of its assemblage and printing, its confessional significance, and the music itself. It considers the nature of the connection between Schöffer and Werrecore, and why a Protestant publisher based in Protestant Germany would try to sell Latin music that was endorsed by a Catholic monarch and emphatically had no chance of being performed in church in its place of publication. In addition, the monograph includes considerations of the motets themselves, brief biographical details of the composers - including the lesser-known ones (e.g. Ferrariensis, Sarton, Billon) - and a full list of all concordant sources. It will be of interest to performers and scholars alike, combining elements of historical research, musical criticism and - via the transcriptions hosted online - performance.
The Singing of the Strasbourg Protestants, 1523-1541
The Singing of the Strasbourg Protestants, 1523-1541 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Singing of the Strasbourg Protestants, 1523-1541 write by Daniel Trocme-Latter. This book was released on 2016-03-09. The Singing of the Strasbourg Protestants, 1523-1541 available in PDF, EPUB and Kindle. This book explores the part played by music, especially group singing, in the Protestant reforms in Strasbourg. It considers both ecclesiastical and ’popular’ songs in the city, how both genres fitted into people’s lives during this time of strife and how the provision and dissemination of music affected the new ecclesiastical arrangement.
Broadsheets
Broadsheets - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Broadsheets write by Andrew Pettegree. This book was released on 2017-07-10. Broadsheets available in PDF, EPUB and Kindle. This volume offers an expansive survey of the role of single-sheet publishing in the European print industry during the first two centuries after the invention of printing. Drawing on new materials made available during the compilation of the Universal Short Title Catalogue, the twenty contributors explore the extraordinary range of broadsheet publishing and its contribution to government, pedagogy, religious devotion and entertainment culture. Long disregarded as ephemera or cheap print, broadsheets emerge both as a crucial communication medium and an essential underpinning of the economics of the publishing industry.
Flaming?
Flaming? - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Flaming? write by Alisha Lola Jones. This book was released on 2020-06-09. Flaming? available in PDF, EPUB and Kindle. Male-centered theology, a dearth of men in the pews, and an overrepresentation of queer males in music ministry: these elements coexist within the spaces of historically black Protestant churches, creating an atmosphere where simultaneous heteropatriarchy and "real" masculinity anxieties, archetypes of the "alpha-male preacher", the "effeminate choir director" and homo-antagonism, are all in play. The "flamboyant" male vocalists formed in the black Pentecostal music ministry tradition, through their vocal styles, gestures, and attire in church services, display a spectrum of gender performances - from "hyper-masculine" to feminine masculine - to their fellow worshippers, subtly protesting and critiquing the otherwise heteronormative theology in which the service is entrenched. And while the performativity of these men is characterized by cynics as "flaming," a similar musicalized "fire" - that of the Holy Spirit - moves through the bodies of Pentecostal worshippers, endowing them religio-culturally, physically, and spiritually like "fire shut up in their bones". Using the lenses of ethnomusicology, musicology, anthropology, men's studies, queer studies, and theology, Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance observes how male vocalists traverse their tightly-knit social networks and negotiate their identities through and beyond the worship experience. Author Alisha Jones ultimately addresses the ways in which gospel music and performance can afford African American men not only greater visibility, but also an affirmation of their fitness to minister through speech and song.
The Cambridge History of Sixteenth-Century Music
The Cambridge History of Sixteenth-Century Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Cambridge History of Sixteenth-Century Music write by Iain Fenlon. This book was released on 2019-01-24. The Cambridge History of Sixteenth-Century Music available in PDF, EPUB and Kindle. Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.
