The Viewer and the Printed Image in Late Medieval Europe - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Viewer and the Printed Image in Late Medieval Europe write by DavidS. Areford. This book was released on 2017-07-05. The Viewer and the Printed Image in Late Medieval Europe available in PDF, EPUB and Kindle. Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
The Viewer and the Printed Image in Late Medieval Europe
The Viewer and the Printed Image in Late Medieval Europe - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Viewer and the Printed Image in Late Medieval Europe write by David S. Areford. This book was released on 2016. The Viewer and the Printed Image in Late Medieval Europe available in PDF, EPUB and Kindle. Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
In the Viewer's Hands
In the Viewer's Hands - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook In the Viewer's Hands write by D. S. Areford. This book was released on 2001. In the Viewer's Hands available in PDF, EPUB and Kindle. The last two chapters stress both the private and public valences of early prints. Chapter 4 focuses on woodcuts of Simon of Trent, a boy supposedly murdered by Jews in 1475. These prints served a variety of functions: as images of Simon's martyrdom, as advertisements for his relics, as devotional images, and as anti-Semitic propaganda. These functions depended partly on the print medium's aura of authenticity and the visual conflation of the body of Simon with the body of Christ. Finally, chapter 5 explores a woodcut of the Side Wound of Christ. The print's metonymic design is linked to liturgical objects, cosmological diagrams, and world maps, while its life-size scale depends on a conceptual strategy used in contemporaneous printed scale-maps. Similarly, the woodcut allowed a visual and spatial reconstruction of Christ's body that benefited from the visual accuracy of the print medium.
The Bible and the Printed Image in Early Modern England
The Bible and the Printed Image in Early Modern England - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook The Bible and the Printed Image in Early Modern England write by Michael Gaudio. This book was released on 2017-07-05. The Bible and the Printed Image in Early Modern England available in PDF, EPUB and Kindle. The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.
Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe
Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe write by Reindert Leonard Falkenburg. This book was released on 2007. Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe available in PDF, EPUB and Kindle. One of the central and defining beliefs in late-medieval and early-modern spirituality was the notion of the formability of the religious self. Identified with the soul, the self was conceived, indeed experienced, not as an abstraction, but rather as an essential spiritual persona, as well as the intellectual and sensory center of a human being. This volume investigates the role played by images construed as formal and semantic variables - mental images, visual tropes and figures, pictorial and textual representations - in generating and sustaining processes of meditation that led the viewer or reader from outward perception to various forms of inward perception and spiritual discernment. The fifteen articles address the history of the soul as a cultural construct, an internal locus of self-formation where the divine is seen to dwell and the person may experience her/himself as a place inhabited by the spirit of God. Three central questions are approached from various disciplines: first, how was the self-contained soul created in God's likeness, yet stained by sin and as such susceptible both to destructive and redemptive forces, refashioned as a porous and malleable entity susceptible to metaphysical effects and human practices, such as self-investigation, meditative prayer, and other techniques of inwardness? Second, how did such practices constitutive of an inner liturgy prepare the soul - the anima, bride - for an encounter with God that trains, purifies, moulds, shapes, and transforms the religious self? Finally, in this process of self-reformation, how were images of place and space mobilized, how were loci found, and how did the soul come to see itself situated within these places mapped upon itself?
