Theory for Theatre Studies

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Author :
Release : 2021
Genre : Electronic books
Kind :
Book Rating : 886/5 ( reviews)

Theory for Theatre Studies - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Theory for Theatre Studies write by Peta Tait. This book was released on 2021. Theory for Theatre Studies available in PDF, EPUB and Kindle. "Emotion explores how emotion is communicated in drama, theatre and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, from Brecht to Caryl Churchill, drama and theatre are revealed to inform but also to warn about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed and in relation to interdisciplinary approaches. Students and other readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include productions of Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component"--

Theory for Theatre Studies: Emotion

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Author :
Release : 2021-01-14
Genre : Performing Arts
Kind :
Book Rating : 879/5 ( reviews)

Theory for Theatre Studies: Emotion - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Theory for Theatre Studies: Emotion write by Peta Tait. This book was released on 2021-01-14. Theory for Theatre Studies: Emotion available in PDF, EPUB and Kindle. Theory for Theatre Studies: Emotion explores how emotion is communicated in drama, theatre, and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, Brecht and Caryl Churchill, theatre reveals and, informs but also warns about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed in relation to interdisciplinary approaches. Readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include: Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic, and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component. Online resources to accompany this book are available at https://www.bloomsbury.com/theory-for-theatre-studies-emotion-9781350030848/.

Theory for Theatre Studies: Emotion

Download Theory for Theatre Studies: Emotion PDF Online Free

Author :
Release : 2021-01-14
Genre : Performing Arts
Kind :
Book Rating : 872/5 ( reviews)

Theory for Theatre Studies: Emotion - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Theory for Theatre Studies: Emotion write by Peta Tait. This book was released on 2021-01-14. Theory for Theatre Studies: Emotion available in PDF, EPUB and Kindle. Theory for Theatre Studies: Emotion explores how emotion is communicated in drama, theatre, and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, Brecht and Caryl Churchill, theatre reveals and, informs but also warns about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed in relation to interdisciplinary approaches. Readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include: Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic, and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component. Online resources to accompany this book are available at https://www.bloomsbury.com/theory-for-theatre-studies-emotion-9781350030848/.

Forms of Emotion

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Author :
Release : 2021-11-29
Genre : Performing Arts
Kind :
Book Rating : 431/5 ( reviews)

Forms of Emotion - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Forms of Emotion write by Peta Tait. This book was released on 2021-11-29. Forms of Emotion available in PDF, EPUB and Kindle. Forms of Emotion analyses how drama, theatre and contemporary performance present emotion and its human and nonhuman diversity. This book explores the emotions, emotional feelings, mood, and affect, which make up a spectrum of ‘emotion’, to illuminate theatrical knowledge and practice and reflect the distinctions and debates in philosophy, neuroscience, psychology, and other disciplines. This study asserts that specific forms of emotion are intentionally unified in drama, theatre, and performance to convey meaning, counteract separation and subversively champion emotional freedom. The book progressively shows that the dramatic and theatrical representation of the nonhuman reveals how human dominance is offset by emotional connection with birds, animals, and the natural environment. This book will be of great interest to students and researchers interested in the emotions and affect in dramatic literature, theatre studies, performance studies, psychology, and philosophy as well as artists working with emotionally expressive performance.

Theory for Theatre Studies: Movement

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Author :
Release : 2021-01-28
Genre : Performing Arts
Kind :
Book Rating : 387/5 ( reviews)

Theory for Theatre Studies: Movement - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Theory for Theatre Studies: Movement write by Rachel Fensham. This book was released on 2021-01-28. Theory for Theatre Studies: Movement available in PDF, EPUB and Kindle. How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.