Tomás Esson - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Tomás Esson write by Gean Moreno. This book was released on 2021-07-15. Tomás Esson available in PDF, EPUB and Kindle. The first monograph on Afro-Cuban artist Tomás Esson. Tomás Esson: The GOAT features paintings created over thirty-five years that showcase the artist's distinct style, energy, and biting humor. Esson is one of Cuba's most important post-Revolutionary artists and his work remains timely today. In Esson's work, suggestive narratives often involve highly sexualized, monstrous creatures alongside the heroes of the Cuban Revolution. Coming of age in a culturally dynamic Havana, Esson was a fierce critic of the social reality he saw around him. His work was showcased in a number of controversial exhibitions in the late 1980s and the artist became a central figure in the decade's renaissance in Cuban art. Esson began to exhibit internationally very early on, and in 1990 he left Cuba and moved to the United States. Alongside images of Esson's works, this publication provides newly commissioned scholarship and reprints of critical texts that are no longer in circulation. This volume includes essays by Erica James and Antonio Eligio Fernandez (Tonel), as well as a new interview with the artist.
New Art of Cuba
New Art of Cuba - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook New Art of Cuba write by Luis Camnitzer. This book was released on 2003. New Art of Cuba available in PDF, EPUB and Kindle. Starting with the groundbreaking 1981 exhibit called "Volumen I," New Art of Cuba provided the first comprehensive look at the works of the first generation of Cuban artists completely shaped by the 1959 revolution. This revised edition includes a new epilogue that discusses developments in Cuban art since the book's publication in 1994, including the exodus of artists in the early 1990s, the effects of the new dollar economy on the status of artists, and the shift away from socialist themes to more personal concerns in the artists' works. Twenty-four new color plates augment the more than 200 b&w illustrations of the original volume.
Tomás Esson
Tomás Esson - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Tomás Esson write by Tomás Esson. This book was released on 1994. Tomás Esson available in PDF, EPUB and Kindle.
On Art, Artists, Latin America, and Other Utopias
On Art, Artists, Latin America, and Other Utopias - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook On Art, Artists, Latin America, and Other Utopias write by Luis Camnitzer. This book was released on 2010-01-01. On Art, Artists, Latin America, and Other Utopias available in PDF, EPUB and Kindle. Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture. This volume gathers Camnitzer's most thought-provoking essays—"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.
Collectivism After Modernism
Collectivism After Modernism - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Collectivism After Modernism write by Blake Stimson. This book was released on . Collectivism After Modernism available in PDF, EPUB and Kindle. “Don’t start an art collective until you read this book.” —Guerrilla Girls “Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel!” —Geert Lovink, Institute of Network Cultures, Amsterdam “This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged.” — Stephen F. Eisenman, author of The Abu Ghraib Effect “Collectivism after Modernism crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers.” —Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world’s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Rubn Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovi´c, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. “To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism. The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the “imagined community”: a collective has to be more than an ideal, and more than communal craft; it has to be a truly social enterprise. Not only does it use unconventional forms and media to communicate the issues and experiences usually excluded from artistic representation, but it gives voice to a multiplicity of perspectives. At its best it relies on the participation of the audience to actively contribute to the work, carrying forth the dialogue it inspires.” —BOMB
