War, Espionage, and Masculinity in British Fiction - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook War, Espionage, and Masculinity in British Fiction write by Susan L. Austin. This book was released on 2023-05-23. War, Espionage, and Masculinity in British Fiction available in PDF, EPUB and Kindle. 'War, Espionage, and Masculinity in British Fiction' explores the masculinities represented in British works spanning more than a century. Studies of Rudyard Kipling’s 'The Light That Failed' (1891) and Erskine Childer’s 'The Riddle of the Sands' (1903) investigate masculinities from before World War I, at the height of the British Empire. A discussion of R.C. Sherriff’s play 'Journey’s End' takes readers to the battlefields of World War I, where duty and the harsh realities of modern warfare require men to perform, perhaps to die, perhaps to be unmanned by shellshock. From there we see how Dorothy Sayers developed the character of Peter Wimsey as a model of masculinity, both strong and successful despite his own shellshock in the years between the world wars. Graham Greene’s The Heart of the Matter (1948) and The Quiet American (1955) show masculinities shaken and questioning their roles and their country’s after neither world war ended all wars and the Empire rapidly lost ground. Two chapters on 'The Innocent' (1990), Ian McEwan’s fictional account of a real collaboration between Great Britain and the United States to build a tunnel that would allow them to spy on the Soviet Union, dig deeply into the 1950’s Cold War to examine the fictional masculinity of the British protagonist and the real world and fictional masculinities projected by the countries involved. Explorations of Ian Fleming’s 'Casino Royale' (1953) and 'The Living Daylights' (1962) continue the Cold War theme. Discussion of the latter film shows a confident, infallible masculinity, optimistic at the prospect of glasnost and the potential end of Cold War hostilities. John le Carré’s 'The Night Manager' (1993) and its television adaptation take espionage past the Cold War. The final chapter on Ian McEwan’s 'Saturday' (2005) shows one man’s reaction to 9/11.
War, Espionage, and Masculinity in British Fiction
War, Espionage, and Masculinity in British Fiction - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook War, Espionage, and Masculinity in British Fiction write by Susan L. Austin. This book was released on 2023-07-18. War, Espionage, and Masculinity in British Fiction available in PDF, EPUB and Kindle. 'War, Espionage, and Masculinity in British Fiction' explores the masculinities represented in British works spanning more than a century. Studies of Rudyard Kipling's 'The Light That Failed' (1891) and Erskine Childer's 'The Riddle of the Sands' (1903) investigate masculinities from before World War I, at the height of the British Empire. A discussion of R.C. Sherriff's play 'Journey's End' takes readers to the battlefields of World War I, where duty and the harsh realities of modern warfare require men to perform, perhaps to die, perhaps to be unmanned by shellshock. From there we see how Dorothy Sayers developed the character of Peter Wimsey as a model of masculinity, both strong and successful despite his own shellshock in the years between the world wars. Graham Greene's The Heart of the Matter (1948) and The Quiet American (1955) show masculinities shaken and questioning their roles and their country's after neither world war ended all wars and the Empire rapidly lost ground. Two chapters on 'The Innocent' (1990), Ian McEwan's fictional account of a real collaboration between Great Britain and the United States to build a tunnel that would allow them to spy on the Soviet Union, dig deeply into the 1950's Cold War to examine the fictional masculinity of the British protagonist and the real world and fictional masculinities projected by the countries involved. Explorations of Ian Fleming's 'Casino Royale' (1953) and 'The Living Daylights' (1962) continue the Cold War theme. Discussion of the latter film shows a confident, infallible masculinity, optimistic at the prospect of glasnost and the potential end of Cold War hostilities. John le Carré's 'The Night Manager' (1993) and its television adaptation take espionage past the Cold War. The final chapter on Ian McEwan's 'Saturday' (2005) shows one man's reaction to 9/11.
Shaken, Not Stirred
Shaken, Not Stirred - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Shaken, Not Stirred write by Anna Rikki Nelson. This book was released on 2016. Shaken, Not Stirred available in PDF, EPUB and Kindle. This project seeks to define and explore the development of Cold War British masculinity and national identity in response to decolonization. Following World War II, Great Britain experienced a time of political and cultural rebuilding. This project argues that following World War II, Britain had to renegotiate gender and national identity within the context of decolonization, the rise of the welfare state, and Britain's diminished role in global politics, and the tensions within gender and national identity were expressed in Britain's interest in espionage narratives both real and fictionalized. British spy novels by Ian Fleming, Desmond Cory, and John Le Carré dominated fiction, and the real-life drama of the Cambridge Five captivated the news media. The James Bond films of the 1960s were the negotiating of the new British masculinity and American masculinity on the silver screen. This project builds on and bridges gaps between the historiographies on espionage, popular culture, gender, and empire. The cultural impact of James Bond is well documented by Jeremy Black and James Chapman. Black draws connections between the popularity of James Bond and Cold War foreign policy, and Chapman analyzes the cultural impact of the James Bond films. This project seeks to look beyond Chapman and Black and present a new analysis of how the British man developed into the British Cold War Hero represented by the James Bond films. --Page ii.
Threatened Masculinity from British Fiction to Cold War German Cinema
Threatened Masculinity from British Fiction to Cold War German Cinema - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Threatened Masculinity from British Fiction to Cold War German Cinema write by Joseph P. Willis. This book was released on 2019-05-30. Threatened Masculinity from British Fiction to Cold War German Cinema available in PDF, EPUB and Kindle. The impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now within the value system of the Soviet and American hegemonies that determined the fate of Cold War Germany and Central Europe. This monograph is the first to demonstrate that this Cold War cinematic search sought out a meaningful masculine paradigm through film adaptations of late-Victorian and Edwardian male writers who likewise sought a means of self-determination within a hegemonic structure that often left few opportunities for personal agency. In contrast to the scholarly practice of exploring categories of modern masculinity such as Victorian imperialist manliness or German Cold-War male identity as distinct from each other, this monograph offers an important, comparative corrective that brings forward an extremely influential century-long trajectory of threatened masculinity. For German Cold-War masculinity, lessons were to be learned from history—namely, from late-Victorian and Edwardian models of manliness. Cold War Germans, like the Victorians before them, had to confront the unknowns of a new world without fear or hesitation. In a Cold-War mentality where nuclear technology and geographic distance had trumped face-to-face confrontation between East and West, Cold-War German masculinity sought alternatives to the insanity of mutual nuclear destruction by choosing not just to confront threats, but to resolve threats directly through personal agency and self-determination.
Masculinities in British Adventure Fiction, 1880–1915
Masculinities in British Adventure Fiction, 1880–1915 - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Masculinities in British Adventure Fiction, 1880–1915 write by Joseph A. Kestner. This book was released on 2016-05-06. Masculinities in British Adventure Fiction, 1880–1915 available in PDF, EPUB and Kindle. Making use of recent masculinity theories, Joseph A. Kestner sheds new light on Victorian and Edwardian adventure fiction. Beginning with works published in the 1880s, when writers like H. Rider Haggard took inspiration from the First Boer War and the Zulu War, Kestner engages tales involving initiation and rites of passage, experiences with the non-Western Other, colonial contexts, and sexual encounters. Canonical authors such as R.L. Stevenson, Rudyard Kipling, Joseph Conrad, and Olive Schreiner are examined alongside popular writers like A.E.W. Mason, W.H. Hudson and John Buchan, providing an expansive picture of the crisis of masculinity that pervades adventure texts during the period.
