Wittgenstein as Philosophical Tone-Poet

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Release : 2014-06-10
Genre : Philosophy
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Book Rating : 993/5 ( reviews)

Wittgenstein as Philosophical Tone-Poet - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Wittgenstein as Philosophical Tone-Poet write by Béla Szabados. This book was released on 2014-06-10. Wittgenstein as Philosophical Tone-Poet available in PDF, EPUB and Kindle. This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein’s life and work. Wittgenstein’s remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein’s philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage. Béla Szabados has a Ph.D. in philosophy from the University of Calgary and is professor of philosophy at the University of Regina. His publications include Wittgenstein Reads Weininger (2004), Wittgenstein at the Movies (2011) and Wittgenstein on Race, Gender, and Cultural Identity: Philosophy as a Personal Endeavour (2010).

Wittgenstein on Music

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Release : 2024-04-15
Genre : Philosophy
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Book Rating : 738/5 ( reviews)

Wittgenstein on Music - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Wittgenstein on Music write by Eran Guter. This book was released on 2024-04-15. Wittgenstein on Music available in PDF, EPUB and Kindle. In this Element, the author set out to answer a twofold question concerning the importance of music to Wittgenstein's philosophical progression and the otherness of this sort of philosophical importance vis-...-vis philosophy of music as practiced today in the analytic tradition. The author starts with the idea of making music together and with Wittgenstein's master simile of language-as-music. The author traces these themes as they play out in Wittgenstein early, middle, and later periods. The author argues that Wittgenstein's overarching reorientation of the concept of depth pertaining to music in the aftermath of his anthropological turn, and against the backdrop of the outlook of German Romanticism, culminates in his unique view of musical profundity as 'knowledge of people.' This sets Wittgenstein's view in sharp contrast with certain convictions and debates that typify current analytically inclined philosophy of music.

Musical Investigations

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Release : 1995
Genre : Music
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Book Rating : /5 ( reviews)

Musical Investigations - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Musical Investigations write by Anthony Sales. This book was released on 1995. Musical Investigations available in PDF, EPUB and Kindle.

Wittgenstein’s Liberatory Philosophy

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Release : 2020-11-24
Genre : Philosophy
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Book Rating : 82X/5 ( reviews)

Wittgenstein’s Liberatory Philosophy - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Wittgenstein’s Liberatory Philosophy write by Rupert Read. This book was released on 2020-11-24. Wittgenstein’s Liberatory Philosophy available in PDF, EPUB and Kindle. In this book, Rupert Read offers the first outline of a resolute reading, following the highly influential New Wittgenstein ‘school’, of the Philosophical Investigations. He argues that the key to understanding Wittgenstein’s later philosophy is to understand its liberatory purport. Read contends that a resolute reading coincides in its fundaments with what, building on ideas in the later Gordon Baker, he calls a liberatory reading. Liberatory philosophy is philosophy that can liberate the user from compulsive (and destructive) patterns of thought, freeing one for possibilities that were previously obscured. Such liberation is our prime goal in philosophy. This book consists in a sequential reading, along these lines, of what Read considers the most important and controversial passages in the Philosophical Investigations: 1, 16, 43, 95 & 116 & 122, 130–3, 149–151, 186, 198–201, 217, and 284–6. Read claims that this liberatory conception is simultaneously an ethical conception. The PI should be considered a work of ethics in that its central concern becomes our relation with others. Wittgensteinian liberations challenge widespread assumptions about how we allegedly are independent of and separate from others. Wittgenstein’s Liberatory Philosophy will be of interest to scholars and advanced students working on Wittgenstein, and to scholars of the political philosophy of liberation and the ethics of relation.

Wittgenstein and the Conditions of Musical Communication

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Release : 2008
Genre : Communication in music
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Wittgenstein and the Conditions of Musical Communication - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Wittgenstein and the Conditions of Musical Communication write by Hanne Appelqvist. This book was released on 2008. Wittgenstein and the Conditions of Musical Communication available in PDF, EPUB and Kindle. This work argues against the widely held view that to understand music the listeners must hear musical works and passages as expressive of emotions. The argument developed in the work arises from Wittgenstein's later account of language. It is argued that if his later account of the meaning and the understanding of natural language is applied to the case of music, then what follows is a version of musical formalism. This is to say that insofar as we can talk about musical communication, i.e., the understanding of musical phrases and their semantic content, then the grounds of this communication must reside in the conventional rules of a musical system.