Oral Tradition and Book Culture

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Release : 2018-09-28
Genre : Reference
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Book Rating : 073/5 ( reviews)

Oral Tradition and Book Culture - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Oral Tradition and Book Culture write by Pertti Anttonen. This book was released on 2018-09-28. Oral Tradition and Book Culture available in PDF, EPUB and Kindle. A new interdisciplinary interest has risen to study interconnections between oral tradition and book culture. In addition to the use and dissemination of printed books, newspapers etc., book culture denotes manuscript media and the circulation of written documents of oral tradition in and through the archive, into published collections. Book culture also intertwines the process of framing and defining oral genres with literary interests and ideologies. The present volume is highly relevant to anyone interested in oral cultures and their relationship to the culture of writing and publishing. The questions discussed include the following: How have printing and book publishing set terms for oral tradition scholarship? How have the practices of reading affected the circulation of oral traditions? Which books and publishing projects have played a key role in this and how? How have the written representations of oral traditions, as well as the roles of editors and publishers, introduced authorship to materials customarily regarded as anonymous and collective?

Writing the Oral Tradition

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Release : 2004
Genre : Language Arts & Disciplines
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Book Rating : /5 ( reviews)

Writing the Oral Tradition - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Writing the Oral Tradition write by Mark Amodio. This book was released on 2004. Writing the Oral Tradition available in PDF, EPUB and Kindle. "This is a splendid, rewarding book destined to reshape critical thinking about medieval poetry in English. Amodio combines groundbreaking theory with a deep, wide-ranging command of relevant scholarship to offer a uniquely inclusive perspective on an enormous and disparate collection of Old and Middle English poetry." --John Miles Foley, University of Missouri, Columbia "This is a well-conceived, well-structured, and well-written book that fills a significant gap in current scholarly discourse. Amodio is extremely well-informed about current oral theory, and presents a beautifully integrated thesis. This clear-sighted and provocative book both promises and delivers much." --Andy Orchard, University of Toronto Mark Amodio's book focuses on the influence of the oral tradition on written vernacular verse produced in England from the fifth to the fifteenth century. His primary aim is to explore how a living tradition articulated only through the public, performance voices of pre-literate singers came to find expression through the pens of private, literate authors. Amodio argues that the expressive economy of oral poetics survives in written texts because, throughout the Middle Ages, literacy and orality were interdependent, not competing, cultural forces. After delving into the background of the medieval oral-literate matrix, Writing the Oral Tradition develops a model of non-performative oral poetics that is a central, perhaps defining, component of Old English vernacular verse. Following the Norman Conquest, oral poetics lost its central position and became one of many ways to articulate poetry. Contrary to many scholars, Amodio argues that oral poetics did not disappear but survived well into the post-Conquest period. It influenced the composition of Middle English verse texts produced from the twelfth to the fourteenth century because it offered poets an affectively powerful and economical way to articulate traditional meanings. Indeed, fragments of oral poetics are discoverable in contemporary prose, poetics, and film as they continue to faithfully emit their traditional meanings.

Gerald Vizenor

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Release : 1996
Genre : Literary Criticism
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Book Rating : 740/5 ( reviews)

Gerald Vizenor - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Gerald Vizenor write by Kimberly M. Blaeser. This book was released on 1996. Gerald Vizenor available in PDF, EPUB and Kindle. Kimberly M. Blaeser begins with an examination of Vizenor's concept of Native American oral culture and his unique incorporation of oral tradition in the written word. She details Vizenor's efforts to produce a form of writing that resists static meaning, involves the writer in the creation of the literary moment, and invites political action and explores the place of Vizenor's work within the larger context of contemporary tribal literature, Native American scholarship, and critical theory.

Oral Tradition

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Book Rating : 622/5 ( reviews)

Oral Tradition - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Oral Tradition write by Jan Vansina. This book was released on . Oral Tradition available in PDF, EPUB and Kindle.

Liberating Voices

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Release : 1991
Genre : History
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Book Rating : 249/5 ( reviews)

Liberating Voices - read free eBook in online reader or directly download on the web page. Select files or add your book in reader. Download and read online ebook Liberating Voices write by Gayl Jones. This book was released on 1991. Liberating Voices available in PDF, EPUB and Kindle. The powerful novelist here turns penetrating critic, giving usâe"in lively styleâe"both trenchant literary analysis and fresh insight on the art of writing. âeoeWhen African American writers began to trust the literary possibilities of their own verbal and musical creations,âe writes Gayl Jones, they began to transform the European and European American models, and to gain greater artistic sovereignty.âe The vitality of African American literature derives from its incorporation of traditional oral forms: folktales, riddles, idiom, jazz rhythms, spirituals, and blues. Jones traces the development of this literature as African American writers, celebrating their oral heritage, developed distinctive literary forms. The twentieth century saw a new confidence and deliberateness in African American work: the move from surface use of dialect to articulation of a genuine black voice; the move from blacks portrayed for a white audience to characterization relieved of the need to justify. Innovative writingâe"such as Charles Waddell Chesnuttâe(tm)s depiction of black folk culture, Langston Hughesâe(tm)s poetic use of blues, and Amiri Barakaâe(tm)s recreation of the short story as a jazz pieceâe"redefined Western literary tradition. For Jones, literary technique is never far removed from its social and political implications. She documents how literary form is inherently and intensely national, and shows how the European monopoly on acceptable forms for literary art stifled American writers both black and white. Jones is especially eloquent in describing the dilemma of the African American writers: to write from their roots yet retain a universal voice; to merge the power and fluidity of oral tradition with the structure needed for written presentation. With this work Gayl Jones has added a new dimension to African American literary history.